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Review: Behold! Oddities, Curiosities and Undefinable Wonders – Edited by Doug Murano

Hey everyone, hope you’re all well. 🙂

I got the chance to read this impending anthology, which will be published by Crystal Lake Publishing, and jumped at it. I’m glad I did – this is a truly memorable publication, and a stand-out addition to the annals of Horror.

First shout-out has to go to Josh Malerman for an incredible foreword – it’s not often that a foreword truly captures the essence of what the reader is going to be reading, but Josh did an incredible job; so much so that you’ll probably find yourself re-reading the foreword, as I did. And if you’ve yet to read Josh’s work, the foreword alone will make sure you do; the man has an enticing, evocative and lyrically rhythmic turn of phrase which seems perfectly suited to Horror. (and yes, I too have yet to read Josh’s work)

The anthology is divided into three sections – Oddities, Curiosities, and Undefinable Wonders, and Lisa Morton’s LaRue’s Dime Museum opens the anthology – an inspired choice by editor Doug Murano, as this tale hints at practically every strange and terrifyingly wondrous thing you’ll read. Let me be clear: the feel of it, how it blends reality, fear, and longing, as well as the imagery and atmosphere of it, will prepare you (to a certain degree) for the rest of the tales. It’s also a tale which defies end-guessing, and which will probably make you look twice at that strange-looking person across the street… Here’s an exceptional illustration from the mad-skills-afflicted Luke Spooner, to give you a taste of what you’ll be reading:

The next tale, Brian Kirk‘s Wildflower, Cactus, Rose is absolutely chilling in how it looks at society’s sick need to ‘look better’, as well as how ‘normal’ and ‘accepted’ abuse becomes. It’s a difficult story to read, and should be – we have to talk about the things that make us uncomfortable and that have no easy answers, and this tale doesn’t flinch from showing the uglier sides of human nature… Yet there’s a strange kind of beauty there, too.

Hal Bodner‘s The Baker of Millepoix is filled with the kind of imagery you’d expect from a charming foreign-language movie; the writing is flowing, lyrical, easy – as if your eyes are following the happy gurgling of a stream with birds tweeting in the background and a slight breeze puffing your hair. Yet when the horror arrives, it seems almost sweet and -dare I say it again- charming. You, the reader, will have witnessed something society says you must not allow to happen, must not take part in, yet… You’ll have found it a bit wonderful.

Next you’ll read Jacqueline Ess: Her Will and Testament – not saying who the author is (either let yourself be surprised or spoil it for yourself). This tale is about the discovery of talents, the exercising of power, the black-hole-pull of love and lust, the physicality of intention, how guilt is able to ravage and inflame, and how, strangely enough, there’s a sick, twisted and yet breathtaking beauty in the experiences of pain and horror. The tale also ends with one of the most unsettling, yet fitting, scenes I’ve ever read.

What also makes Behold such a memorable anthology are the poems which split the book’s sections – Stephanie M. Wytovich isn’t one of those ‘read and have no clue what you’ve just read’ poets; her work won’t leave you feeling as if you missed classes at some high-brow literary school. It’s as if Stephanie has woven scenes or micro-stories using the ideas of Horror, the foundational elements and emotions. Her work is unsettling and addictive. An Exhibition of Mother and Monster is, to me, a scathing indictment of humanity’s need to make a spectacle of that which freaks us out. The poem points at us and says, ‘You giggle and cringe and thank your genes that you haven’t come out different, yet you don’t see the beauty and tragedy in what you’re paying to see and selfie.’

The next tale, John Langan‘s Madame Painte: For Sale is a quirky tale – it almost serves as a warning to bargain- or antique-hunters to be very careful of what they find, yet it could also be a warning to folks against believing the stories which accompany the pieces you’re interested in; it works both ways.

The next tale, Chalice, by another author I won’t name (for the same reasons as Jacqueline Ess) is one of those quaint, leaves-you-with-a-good-feeling tales – it’s sublimely written and marries the strange and out of place beautifully with the solitary life of a small-town retiree.

Fully Boarded by Ramsey Campbell is a story every traveller will love. 😉 Or maybe you’ll never travel again. Or maybe you’ll never go anywhere just to find fault with a place… Who knows? 😉

In Amelia’s Wake by Erinn L Kemper is, to me, a brooding, lovely and yet dark meditation on loss and progress, and about how grief can become a wall which not even more loss can break through. There’s a dark magic to this tale.

In A Ware That Will Not Keep, from John F.D. Taff, we hear the confession of an old man to his grandson, and we’re taken back to World War 2 and the atrocities committed against the Jews by the Nazis. It’s a tale which explores the nature and repercussions of revenge, and is probably also the first time I’ve ever felt true sorrow for a mass-murderer. Here’s a hint of what you can expect, again from the excellent Luke Spooner:

 

Then comes Ed Pruitt’s Smoker by Patrick Freivald – this tale ranks among my favourites because of the nature of the tale. It takes a seemingly innocuous subject -bees and bee-keepers- and gives it a terrifyingly wonderful twist; you simply have to read this one to understand what I mean.

We’re then treated to another poem by Stephanie Wytovich, As a Guest at the Telekinetic Tea Party, and this time she focuses on the utter uselessness, faux frivolity and inherent judgements made by women who hold tea parties. Or does she? You decide.

Hazelnuts and Yummy Mummies by Lucy A. Snyder will have you laughing out loud and perhaps wiping away tears, too – Conventions may be one of those events an author aspires to, but be careful of the cookies, okay? 😉

Brian Hodge‘s The Shiny Fruit of Our Tomorrows launches the reader into the anthology’s final section – Undefinable Wonders. Brian’s tale is one of the most beautiful, and heart-breaking, tales in the anthology. It reveals a world very. very few of us have ever (willingly or otherwise) entered, people by real people, the likes of which you have probably met without knowing it. You know how sometimes truth and need, when combined, can be heart-breaking? That’s what this tale represents. Wonderful, lingering stuff.

The Wakeful by Kristi DeMeester is sublime, slow-building horror… Don’t read it while sitting out in your garden; you’ve been warned.

Christopher Coake‘s Knitter beings to my mind the awesome work Stephen King did in Insomnia – that marriage of the seemingly innocuous with the truly strange; it’s a glimpse into a world which will be very real to you while you read the tale.

Sarah Read‘s Through Gravel is, to me, an exploration of how claustrophobic religion can become – Sarah shows us a world in which darkness is sacrosanct, and change is anathema; it’s when the light begins to filter in that things change…

The collection ends with Hiraeth by Richard Thomas – a beautiful tale which resounds with aching need, sorrow, and a growing love amidst slow and beautiful magic. A reminder that the world has more to offer than we can possibly see, or know from experience. Here’s another one of Luke Spooner’s incredible illustrations – perfectly suited to the tale:

Behold is one of those memorable collections – you haven’t encountered anything like these stories in fiction before. Beauty and darkness and terror and love swirl together to create a book I’ll be thinking about for a long time. You simply have to read this-experience this-absorb this. Major kudos to Doug Murano for excellent editing and to Crystal Lake Publishing for giving readers this anthology. Absolutely incredible stuff, and well deserving of a resounding 10 out of 10.

Pre-order the Kindle version for just $2.99, and join the two ThunderClap campaigns to spread the word about this incredible anthology, and check out the many other top-notch titles Crystal Lake has released. You can also add the book on Goodreads. 🙂

Until next time,

Be EPIC!

 
 

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Review: Rime by Tim Lebbon

Hey everyone, Dave here. 🙂 Hope you’ve all been well!

I’m back with a new review, this time a with a look at Tim Lebbon’s ‘Rime’. I said on FB, while I was reading it, that the tale reminded me of why I’m a fan of Science Fiction, and I’m sticking with that.

rime1

Adrift in space, a gigantic freighter, Cradle, carrying seventeen million souls makes its slow journey across the universe.

They are in search of a new home, a ‘Goldilocks’ planet to sustain human life after the decimation and downfall of planet Earth.

One man, a control room tech, is part of a generation destined to live their lives protecting those of the sleeping millions onboard Cradle.

But soon, everything is about to change…

When Cradle encounters five unknown entities flying just beyond its radars, the ship’s AI calls for caution. Comms go down across the gargantuan ship, cutting the tech from the millions of other souls under his watch.

Those in cryosleep don’t realise the danger they are in. Their lives are in the balance.

And the alien ships are fast approaching…

Now this lonely technician must make his decision: will he stand his ground, and risk the lives of millions?

Or is it time to admit that humanity has strayed too far into the unknown?

Mankind’s fate is in his hands. Soon, the consequences of his actions and the message he bears will be felt for generations to come…

‘Rime’ is a SF retelling of Samuel Taylor Coleridge’s ‘Ancient Mariner’, and while I must confess that I haven’t read that Classic, I’m confident in saying that ‘Rime’ can stand alone and proud among the future Classics of Science Fiction, and also among all that has come before. For such a short tale (around an hour and half’s reading, I’d estimate), this story has wonderful depth.

‘Rime’ centres on a technician aboard what we would know as an ark-ship, called Cradle. Cradle has been travelling away from Earth for centuries with a cargo of millions of humans in cryo-stasis; the generations of various technicians living on Cradle have the envious job of making sure that the vast ship runs properly. Something happens, at once wonderful and terrible, which none of the technicians, nor the ship’s governing Artificial Intelligence (also named Cradle), could have predicted – contact with intelligent aliens, and the technician is drawn into the centre of events which will affect not only Cradle but humanity as a whole.

Now, remembering that Cradle is an Ark-type ship, or Colony Ship, Tim does an excellent job of conveying not only the ship’s size but also how all the myriad technicians fit into the running of it. The technicians also have their own culture, dependent on their specific jobs on the ship and who they come into contact with. Some technicians have no religious beliefs, few manage to explore Cradle in its entirety, and social circles are small.

There’s a sense of almost desperate isolation in the characters we meet which deepens as Tim tells the tale from two points in time – pre-Contact and post-Contact – I was kept wondering about what had happened aboard Cradle and just where the technician had ended up, what had happened to so psychologically affect him, and the fate of Cradle and its passengers, both in cryo-stasis and tending the great ship. Tim steadily unfurls the tale, like a solar sail being released by its parent craft, early on already, and by the time the ‘sail’ is fully extended and begins to catch the solar wind, the book is impossible to put down.

For those seeking action and battles, this might not be the kind of book you’re expecting. Though it is proudly and wonderfully grounded in the core of what good SF should be -that sense of wonder and mystery, of exploration and consequence- it is a tale that also explores what it means to be human, to react emotionally, to grieve, and to be at once at part of something massive yet also supremely isolated.

‘Rime’ is damned well crafted, beautifully and painfully told, and a welcome addition to Science Fiction – won’t be surprised at all if this becomes a future SF Classic.

10/10

rime1

 

You can order your copies (ebooks) of Rime at Amazon US and Amazon UK, and check out this post by Tim for more information about the tale. Rime was published by Venture Press.

Until next time,

Be EPIC!

 
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Posted by on July 26, 2016 in Reviews

 

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Review: A Coin for Charon by Dallas Mullican

Hey everyone, Dave here again, hope you’re all well. 🙂 I hope you got yourselves copies of ‘Thou Shalt Not’, which I reviewed on Wednesday.

In this post I’ll be reviewing a serial-killer thriller which is right up there with the work from folks like John Connolly and Thomas Harris, at least in my opinion.

charon

Gabriel isn’t murdering anyone. He’s saving them.

The media has dubbed him the Seraphim Killer. He believes the gods have charged him to release the chosen, those for whom life has become an unbearable torment. Gabriel feels their suffering—his hands burn, his skull thunders, his stomach clenches. Once they are free, he places coins on their eyes to pay Charon for passage into paradise.

Detective Marlowe Gentry has spent the past two years on the edge. The last serial killer he hunted murdered his wife before his eyes and left his young daughter a mute shell. Whenever she looks at him, her dead eyes push him farther into a downward spiral of pain and regret. He sees the Seraphim as an opportunity for revenge, a chance to forgive himself―or die trying.

Gabriel performs the gods’ work with increasing confidence, freeing the chosen from their misery. One day, the gods withdraw the blessing―a victim he was certain yearned for release still holds the spark of life. Stunned, he retreats into the night, questioning why the gods have abandoned a loyal servant. Without his calling, Gabriel is insignificant to the world around him.

He will do anything to keep that from happening.

This novel is the first book is Dallas’ ‘Marlowe Gentry’ series, gentry being the main character and a detective.

Marlowe is a no-nonsense, seriously unhappy man; having gone through a massively traumatic experience and working as a detective, he sounds like the kind of character it would be difficult for the reader to associate with, but I found myself really caring about this guy; Dallas’ reveals more of Marlowe’s inner self chapter by chapter instead of giving the read *everything* about the man as soon as he’s introduced, a mistake which many writers in this genre have made. Marlowe comes across as an living, breathing person, and when I finally found out just what had been driving -and hounding- Marlowe, it rounded out his character perfectly. He’s a damaged man, but then, all great, memorable characters are.

Marlowe’s supporting cast is split between his superior, McCann, and his friend, Spence – the back and forth between them is entertaining and doesn’t feel forced at all. McCann is a man under immense pressure and Marlowe’s past (which is known to him) doesn’t make things any easier for him. Spence is, in many ways, Marlowe’s opposite, yet still manages to stand out among the cast – he supports Marlowe but also calls him out from time to time, the kind of thing a true friend does. Koop, the medical examiner, is another stand-out character who, along with Spence, could easily star in their own series’.

There are two other characters, Becca and Max. Becca is a psychologist and the wife of a bad cop; Max is a husband and father who gets very bad news, which impacts and changes his life. How these characters swirl into each others lives and then intersect with Marlowe’s, was expertly handled – they are all important and central to the plot, as well as to the plans and choices of the man who will change all their lives.

Which brings me to Gabriel, one of the most interesting serial killers I’ve met in this genre. His view of life, his personality, his choices, motives and methods are pretty damned unique and memorable and I was absolutely helpless as his tale unfolded.

The novel has an air of mystery and just-perceptible supernatural elements and the writing is tight and controlled; Dallas’ creates and maintains a balance between evoking the gritty urban world the characters inhabit and their inner selves, both deeply realized and explored.

When there’s a tangible sense of place as well as stand-out characters, a tale works well, and this tale, focusing on people trying to find their place in an unforgiving and brutal world, is excellent.

The only writers of the genre who have so captured me before this have been Thomas Harris and John Connolly – Dallas Mullican deserves to stand alongside them, and I’m really looking forward to reading the next Marlowe Gentry novel.

10/10

charon

And how awesome is the cover art?! 🙂

To order your copies, follow this link for all the other links and info you’ll need. 🙂

Until next time,

Be Epic!

 
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Posted by on June 10, 2016 in Reviews, Uncategorized

 

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Review: The Rage Wars – Book One: Predator – Incursion by Tim Lebbon

Predator Incursion

Hey everyone, Dave here. 🙂

I had high expectations for this after reading Tim’s excellent Star Wars novel, and Tim managed to knock even my expectations aside.

The characters in this are superbly written and fleshed out, with their own believable motivations – quite a feat, considering that Incursion is also a fast-paced novel which expands along two different timelines, includes a lot of cool, new information on the Colonial Marines, the Predators and other groups, and has plenty of awesome action.

One of my favourite characters -introduced in the very beginning of the novel- has an interesting, important and ever-building arc which ties her to basically all of the novel’s events, while the other characters unravel the mystery of the novel’s premise is different, attention-holding ways. Most never meet but all have an important part to play.

The Predators were awesome handled – they remain the powerful, incredibly dangerous and mysterious race we have come to like and yet Tim also deepens their mystery while adding more layers to their society. Tim really should be the go-to guy if Titan wants a Predators-only novel.

The action was frenetic and brutal, as we’ve come to expect from anything involving the Xenomorphs and the Predators, and the plot is really damned good – Fox should have waited for this novel to arrive; I’m pretty sure they would have been orders of magnitude more successful with this trilogy.

There’s even a link to one of the Predator movies which deepens the immersion into this universe.

All in all, highly recommended! You should definitely be reading this if you’re a fan of this universe. Looking forward to the next novel in the trilogy! 9/10

Predator Incursion

Predator – Incursion was published by Titan Books; the second book in the trilogy, Alien – Invasion will be published this year, so keep an eye on Tim’s and Titan’s websites for more information.

To order your copies, click here for Amazon UK, here for Amazon US, and here if you’re in South Africa.

Until next time,

Be EPIC!

 
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Posted by on January 11, 2016 in Reviews, Uncategorized

 

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Review: Stuck on You and Other Prime Cuts by Jasper Bark (Crystal Lake Publishing)

Hey everyone, Dave here, and I’ve got a new review for you – that of a short story collection from an author I’m now a huge fan of!

This is collection featuring stories from a storyteller who should be spoken of in the same breath as Stephen King and Clive Barker. Very few storytellers, especially in the difficult and harrowing genre that is Horror, have managed to grab me from the get-go, and Jasper succeeded.

stuck

STUCK ON YOU

The first tale blew me away and made my gorge swirl in my mouth. It describes the fate of an utter asshole as he travels across the border to help his girlfriend. One thing leads to another and a while later he has been lightning-struck and … well, I’m not spoiling it, but fuck.

I was astounded by what this guy went through, even more so by the way Jasper describes it all – pulling no punches, thrusting the reader into the mind, terror and pain of this character to such a degree that trying to tear myself away was like, well, fiddling with a very fresh scab. By the end of the tale I was breathless, shaking my head over and over, and hoping to hell that I never find myself in the kind of situation the character found himself in.

TAKING THE PISS

Damned fine tale that, in my mind, asks the question: ‘If you could right a wrong, and in doing so caused a lot of pain to someone, but could get away with it, would you do it?’ By the end of this tale I was cheering on what had occurred – a mean feat, considering just what it is that happens, but Jasper has a way, man…

THE CASTIGATION CRUNCH

The Catholic in me *loved* this tale, and if any stock-broker, insurance-broker, tax-guru type reads this then I’m pretty sure they will, too – long live Suchs! 😉

ILL MET BY MOONLIGHT

A tale that plays with your expectations right until the end while it explores the notions of betrayal, love and obsession in a twisted, horrifying manner. Also one of the ‘hotter’ tales in the collection. 😉

HOW THE DARK BLEEDS

This tale surprised me – in the beginning I thought I knew who the victim was and how that victim had been wronged, but as the tale progressed I was pleased to have been proved wrong. This tale also explores something entirely new when it comes to blood-rituals, so the crazier among you will definitely enjoy it. 😉

MOUTHFUL

Remember that scene in Hannibal (the novel and the movie adaptation) where Hannibal feeds a character his own brain? I never thought I would read something that would trump the horror of that scene. Not until I read this tale.

HAUNTING THE PAST

This tale was chilling and hard-hitting (not that the others aren’t), and follows how a man trapped in a house after a terrible event begins to understand just where he is and what he is doing. You might struggle to sleep after this tale, folks.

END OF THE LINE

A tightly-plotted and awesomely explored take on a couple of tropes, those being The-Guy-Who-Can’t-Remember-a-Thing and The Maze – didn’t see the resolution coming, and neither will you.

DEAD SCALP

Probably the very first Horror-Western I’ve read, this tale takes a whole bunch of ideas and mashes them together – coherently and masterfully written, it builds mysteries and characters until the very end. Damned good tale!

***

Taken together, these tales are shocking, brutal, utterly creepy and, in at least a part of every tale, beautiful. Jasper explores many different themes and ideas, pushing imagery into the mind and causing physical reactions while reveling in the settings his characters explore. There’s a seamless blending of physical settings and mind-scapes in these tales, and even though I sometimes didn’t want to be dipped into the various character’s minds I just couldn’t put this collection down.

If you’re looking for something that pushes many, many boundaries, this is it.

10 / 10

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This collection was published by Crystal Lake Publishing and is available from Amazon for both your Kindle and as a paperback. The collection also features excellent illustrations by Rob Moran (who also did the cover), so those looking for a ‘book with pictures’ can’t complain. 😉

Remember to check out Jasper’s site and keep on eye on Crystal Lake Publishing for future tales from Jasper.

Be EPIC!

 
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Posted by on September 1, 2015 in Reviews

 

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Book Review: Annihilation

To be honest I might never have picked up this were it not for the science fiction book club I belong to via Meetup. I had never heard of Jeff VanderMeer and didn’t know a thing about this book before I started reading, and that was probably a good thing.

annihilation

Area X has been cut off from the rest of the continent for decades. Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; all the members of the second expedition committed suicide; the third expedition died in a hail of gunfire as its members turned on one another; the members of the eleventh expedition returned as shadows of their former selves, and within months of their return, all had died of aggressive cancer.

This is the twelfth expedition.

Their group is made up of four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and our narrator, a biologist. Their mission is to map the terrain and collect specimens; to record all their observations, scientific and otherwise, of their surroundings and of one another; and, above all, to avoid being contaminated by Area X itself.

They arrive expecting the unexpected, and Area X delivers—they discover a massive topographic anomaly and life forms that surpass understanding—but it’s the surprises that came across the border with them, and the secrets the expedition members are keeping from one another, that change everything.

That is a very long blurb for a book that’s barely over 200 pages. Also, that last paragraph makes the story sound way more thriller-esque than it actually is. And that cover is just awful!

When I started reading this book, I assumed it had been published in the 1960s or 70s – that cover doesn’t help much either. The style was reminiscent of that era, in that the narration was exclusively ‘tell’ with absolutely no ‘show.’ The reason for this is that the story is actually one long journal entry written by the biologist. This just didn’t work for me. I felt nothing for the characters and found the main character – who describes herself as detached and emotionally withdrawn – impossible to relate to. Consequently, I didn’t care at all what happened to her or the rest of the team. What kept me turning the pages was the premise – there’s not really a plot – and wanting to know what Area X was and how it had come to be.

Despite only being 200 pages, this book felt long especially since there isn’t really much plot, more like a character meandering, trying to understand both the external landscape and her own internal one. This was where the story became more interesting for me and to a large extent, I felt that the story was an allegory: the biologist wasn’t researching an alien landscape so much as trying to understand herself and why her marriage had fallen apart, coming to terms with aspects of a troubled childhood etc. As a metaphor, the story is layered and nuanced, but the last chapter seems to undermine this idea when the biologist has a sudden revelation about what Area X is and how it might’ve come to be. I think the story would’ve been much better with a less literal interpretation.

I enjoyed this book for its unashamed weirdness and am still curious about what Area X really is and what’s happening in the background regarding the institute that keeps sending in these research expeditions. I do think, however, that this would’ve worked so much better as a longer short story. Despite being a short novel, it just meandered too much and became repetitive although never quite boring, just a little tedious. Had I known the writer was a Nebula winner and Hugo nominee, and that this book was published in 2014, I might’ve had higher expectations and been a little less impressed. Since I only discovered that after the fact though, I’m not going to let it affect my rating of the novel.

If you enjoy report-style science fiction that ventures into the absurd then you will probably like this book very much. While I’m not in a hurry to read more in this series, I am definitely keen to read other works by this author. It gets 3.5/5 ink splats from me.

3.5 inksplats

 
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Posted by on March 3, 2015 in Reviews

 

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TV Show Review: Forever

I’ll admit it. I’m a sucker for procedurals. JAG, CSI, Lie to Me, House, Castle, Criminal Minds, Mentalist, Bones, Elementary, White Collar… – I have watched and loved them all! Give me a procedural with a speculative aspect and I am in my uber happy place. Shows like Blood Ties, Moonlight and even Tru Calling really did it for me. So I was delighted to discover the brand new TV show due to air this Autumn on ABC. It’s called Forever and stars Ioan Gruffudd, an actor I had a mega crush on when I was a kid and addicted to the Hornblower series. Gruffudd’s soulful eyes and accent aside, Forever made me all kinds of excited and it certainly wasn’t because of the IMDB description:

A 200-year-old man works in the New York City Morgue trying to find a key to unlock the curse of his immortality.

Forever

When I first read that rather dry one-liner, I went ‘nah’ and moved on to the next new series of Fall 2015, but then reviews started dribbling onto the net and I saw some promo pics and I realized that there was a hell of a lot more to this story. See, that 200-year-old man, Henry Morgan (Gruffudd), isn’t some creepy janitor mopping the mortuary floors and getting cozy with the corpses, he’s the NYPD’s medical examiner! He’s a highly intelligent doctor with a savant-like eye for detail, a somewhat brooding countenance and a dry wit to boot, and his days aren’t spent pondering his immortality so much as they are running around New York City with an ultra slick female Latina detective, Jo Martinez, who is as badass as she is beautiful. She’s a strong, independent female character in a male dominated field who could give Kate Beckett a run for her money and I find her an interesting and compelling character, if not quite as interesting as Mr Immortal. So, the show’s description probably should’ve read something like this:

A 200-year-old man works as a crime-solving ME in New York City while trying to unlock the secret of his immortality before a know-it-all stranger threatens to destroy his carefully constructed world.

Now that sounds exciting and is far closer to the gist of this story, which is equal parts police procedural and sci-fi mystery – yup, there’s a whole immortal sub-plot lurking in the background and I know it’s going to be unnerving and awesome! I thoroughly enjoyed the pilot and have remained captivated through the other episodes that have aired. This is due in part to Ioan Gruffudd owning the screen with his portrayal of a sometimes arrogant, often endearingly naive, always quirky character as he navigates the modern era with his sexagenarian side-kick who provides comic relief and food for thought. While certain aspects of the show seem a little familiar – hard to avoid given that this is a police procedural after all – there is enough of an emphasis on the science fiction aspect – or arguably fantasy aspect, we’re not sure yet – to make this series seem fresh and unique when compared to the bevy of other procedurals currently on air.

My biggest gripe about this show? The bloody voice-overs! I point my fingers at the CW for turning this into a trend. Voice-overs have always been a lazy, but easy way of conveying exposition to an audience, be it words scrolling on the screen or the main character dictating a screed of ‘stuff you need to know.’ I have NEVER been a fan of this trick so pervasive in SF/F film, and I’m even less of a fan with it on the small screen. Shows like Arrow, The Tomorrow People and now The Flash are all guilty of it and the whole ‘my name is’ formula is getting old fast. While I could forgive the voice-over in the pilot of Forever as a way to set the scene and explain the main SF concept to those perhaps expecting a more mundane crime show, I am fast losing my tolerance for it in subsequent episodes. Thank goodness they seem to be sticking to an intro voice-over and an end of episode wrap-up comment with a slightly philosophical tone. Any more than that and I think I might put my fist through the screen. Still, this is a trend I wish would die a sudden death!

In conclusion, Forever is great for fans of procedurals with a sci-fi bent who enjoy quirky characters, more thinking/less action, and slower pacing for subplots. If it weren’t for those damn voice-overs, this might’ve scored 5 ink splats from me because this show has just about everything I look for in smart, entertaining TV. Alas, it only gets 4.5 splats.

4.5 inksplats

 
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Posted by on October 21, 2014 in Guest Reviews, Reviews

 

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M.D. Thalmann / Satire and Sci-fi

M.D. Thalmann, a novelist and freelance journalist specializing in satire and science fiction, lives in Phoenix, AZ with his wife, children, and ornery cats, reads too much and sleeps too little.

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Indie Hero

Brian Marggraf, Author of Dream Brother: A Novel, Independent publishing advocate, New York City dweller

Paws in the Porridge

'She is like a muse...who kicks people in the face.'

Matthew Sylvester

father, author, martial artist

meganelizabethmorales

MANNERS MAKETH MAN, LOST BOYS FAN & PERPETAUL CREATIVITY.

Shannon A Thompson

You need the world, and the world needs good people.

Victoria Davis/ badass blogger

All at once small pieces of my life, work , hobbies, and interest hit you all at once.

Poetic doodlings in C Minor

My journey, inexpertly wrapped in myth and mystery

K.M. Randall

author | editor