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Review: Vengeance – A Darkhurst Novel by Gail Z Martin

Hey everyone, I hope your Friday is treating you well!

I’ve owed Gail this review for a while, as she knows, so… Finally. 🙂

Vengeance‘ is the second novel following the adventures of the Valmonde brothers, their allies and enemies, and is the sequel to ‘Scourge‘ (reviewed here). Here’s the blurb for ‘Vengeance‘:

Brothers. Outlaws. Saviours.

Rigan and Corran Valmonde are not heroes. They are undertakers, lawbreakers, and monster hunters. Without them, the town of Ravenwood is finished.

But the more successful Rigan and Corran become at destroying the creatures, the more a greater evil is revealed – one larger and more monstrous than they ever could imagine…

In the first novel, Gail introduced the reader to a city plagued by monster-attacks, ruled by bickering guilds and aloof princes, in which simply surviving is a fine balancing act. This novel takes us out of Ravenwood and further reveals the greater world, other cities, and new characters, so the novel and the story feels more expansive – but not at the expensive of that which drives the plot: the characters. Gail expands the world-building considerably, taking us into the countryside and showing us how those living outside of the cities live and survive while dealing with threats both human and inhuman, and into a strange, creepy realm which is decidedly not human-friendly. This world’s magic, how that magic works, the cost of using it and the effects it has are also expanded with more details and information, as are the mythologies, legends and cultures of the world and its people. The backdrop all of this creates makes the ‘stage’ the characters play their parts on feel real and vibrant, and again, not at the cost of the characters.

Gail delves deeper into everyone, showing more sides to their personalities, into what drives them, and into what they are constantly fighting, their fears and worries and those small things that shake their belief in not only their self-appointed mission but themselves, too. Even the ‘bad guys’ are scared and increasingly reckless – helped in no small part by events they themselves set in motion. What this all does for the book is that there’s a great balance of action, world-building, intrigue, introspection, and plenty of character growth.

And Gail also succeeds in ramping up the problems the protagonists face, and the lengths to which the antagonists will go to achieve their goals – this keeps the pace ticking faster and faster, until the memorable climax shifts the conflicts into a new, dangerous and epic direction. It’s obvious that the town-focus of book one will become a wider-world focus in book three, and I’m looking forward to seeing how the manure hits the fan. 🙂

Giving this a strong 9/10 – if inventive and pacey Fantasy with stand-out characters and high-stakes is your thing, Vengeance (and Scourge) will be, too. 🙂

If all goes well, I’ll be posting excerpts from the book in the coming weeks. Meanwhile, head on over to Gail’s site for more info about Vengeance and her continuously growing body of work, and don’t forget to the add the book to your Goodreads shelf. 🙂

You can order the book online at the following venues: Amazon, Barnes and Noble, Books a Million and Chapters-Indigo.

Until next time, Monday, probably,

Be EPIC!

 
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Posted by on February 22, 2019 in Reviews

 

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Review: Scourge – A Darkhurst Novel – by Gail Z Martin

Hey folks, hope you’re all well. 🙂

I’m back with a belated review of Gail‘s Scourge – one of the most enjoyable and different Fantasy’s I’ve read in years.

The city-state of Ravenwood is wealthy, powerful, and corrupt. Merchant Princes and Guild Masters wager fortunes to outmaneuver League rivals for the king’s favor and advantageous trading terms. Lord Mayor Ellor Machison wields assassins, blood witches, and forbidden magic to assure that his powerful patrons get what they want, no matter the cost.

Corran, Rigan, and Kell Valmonde are Guild Undertakers, left to run their family’s business when guards murdered their father and monsters killed their mother. Their grave magic enables them to help souls pass to the After and banish vengeful spirits. Rigan’s magic is unusually strong and enables him to hear the confessions of the dead, the secrets that would otherwise be taken to the grave.

When the toll exacted by monsters and brutal guards hits close to home and ghosts expose the hidden sins of powerful men, Corran, Rigan and Kell become targets in a deadly game and face a choice: obey the Guild, or fight back and risk everything.

scourge

Scourge follows the stories of three brothers and an assortment of other characters, all equally important to the narrative, and is set in a world in which magic, monsters, and politics all collide while giving the reader glimpses of a larger and equally intriguing world beyond the tale’s focus.

The three brothers are Corran, Rigan and Kell Valmonde – they are undertakers, and their duty is to fetch and bury the dead according to the different customs which govern how the dead are treated. These customs are described in enough detail that the reader is given a good indication of their importance, and the customs also compliment various strands of the tale’s plot – i.e. the customs aren’t useless, and add a layer of important detail to the story while also adding more layers to the world -and city- the Valmonde brothers live in.

Corran is the oldest brother and is still suffering through the trauma of losing people important to him, a trauma which Rigan and Kell also share. Since Corran is the oldest, he’s the leader, the one who takes chances he wouldn’t want his brothers to have to take, and he also makes the hard decisions – not only does this lead Corran into more danger than he can safely handle, but also leads to conflict between him and his brothers.

Rigan hides an interesting skill, revealed in the first chapter, which eventually sets him off on his own path – a path that will take Rigan into depths and darkness shunned by most of the city-dwellers, but which shares an important connection with what Corran is doing, and Kell is learning the undertaker-trade while trying to keep his brothers off each other; Kell’s path intersects with each of his brothers’, and he is as important to the plot as they are.

The dynamic between the brothers is excellently written – each singular personality shines, each ‘voice’ stands out, and each of their roles, while unique, compliment not only their relationships with each other but also serve to generate those important aspects of characters like empathy and curiosity – I connected with each of the brothers and was really interested in what would happen to them as the plot unfolded.

There are other characters who swirl into and out of the plot, and the most important of these is the mayor of Ravenwood – his role, and the role he plays throughout the novel, ties together the influence he has has on the city’s various Guilds (the Valmonde-brothers, as undertakers, are part of a Guild), the political games and tactics he uses to maintain the balance between what he needs to do (for those he serves) and what he wants to do (for himself and to further secure his position), and the ever-present threat of the very interesting and important layers of magic and sorcery which affect everyone in the city. He’s a fully-fleshed character, in both his personality, ambitions, traits and foibles, and has concrete and believable reasons for being who he is and doing what he does.

Many other characters people the city, and though they don’t (understandably) get the focus the main cast does, they all add to the well-crafted illusion of a living, breathing populace with their own problems and points of view.

Ravenwood itself is a great character itself, even though it’s just a city – and because it’s not just a city, too. It’s obvious that Gail put plenty of considered thought into the hierarchy of its people, its layout, and how different it is in the day time compared to the night time. It also stands out in the wider world, remaining interesting even as Gail gives us hints of other places and events central to Ravenwood’s existence and place.

The novel’s magic-system is both interesting and fresh, using both rituals, energy and herbs, to name but a few important aspects, and what also came through strongly for me was not only how the magic affected the characters and drove the plot (and by saying this, I mean that all seemed to be balanced and complimented each other) but also how much Gail enjoyed the magic-system she had created. There’s danger and excitement galore. 🙂

Plot-wise, the novel is quick and doesn’t waste any time – threads which become very important are sowed early on in a manner which adds flavour and layers to the tale, not simply because these threads are important to the plot. What Gail also does, throughout the novel, is keep not only the plot moving forward as she reveals more about the world and the magic, but the plot affects the characters and the characters influence the plot – two things which any novel needs to do, and do well, to keep the reader hooked. Gail makes it looked so damned easy… 😉

Scourge is strong, fine tale which takes the reader into a vibrant, dangerous and exciting world by using vibrant characters and an exciting plot, without having to use the massive battles and eons-long conflicts which so many Fantasy tales use. It’s tightly crafted and composed, features great stand-out characters, and doesn’t once tread anywhere near stereotypical characters or tropey excuses. Really damned enjoyable!

scourge

You can order Scourge as an eBook or paperback (or both!), and also read an extract from the novel, at this link.

Until next time,

Be EPIC!

 

 

 
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Posted by on November 28, 2017 in Reviews

 

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Gail Z Martin’s The Hawthorn Moon Blog-Tour – Excerpt: Scourge – A Darkhurst Novel

Hey folks, I’m late to the party with this, but in my defense, I got started with Scourge and cannot put it down – this event completely slipped my mind! (thanks, Gail – I blame the awesome book!)

What’s ‘Scourge’ about? Here’s the low-down:

The city-state of Ravenwood is wealthy, powerful, and corrupt. Merchant Princes and Guild Masters wager fortunes to outmaneuver League rivals for the king’s favor and advantageous trading terms. Lord Mayor Ellor Machison wields assassins, blood witches, and forbidden magic to assure that his powerful patrons get what they want, no matter the cost.

Corran, Rigan, and Kell Valmonde are Guild Undertakers, left to run their family’s business when guards murdered their father and monsters killed their mother. Their grave magic enables them to help souls pass to the After and banish vengeful spirits. Rigan’s magic is unusually strong and enables him to hear the confessions of the dead, the secrets that would otherwise be taken to the grave.

When the toll exacted by monsters and brutal guards hits close to home and ghosts expose the hidden sins of powerful men, Corran, Rigan and Kell become targets in a deadly game and face a choice: obey the Guild, or fight back and risk everything.

Sounds good, doesn’t it? Well, it is – damned good. I’m just about 100 pages in (review coming soon), and I can tell you that Gail has crafted a dark, tense tale filled with stand-out characters and interesting magic. Scourge has already found kickass company among a Best-Of list over at Bookwraiths, and it’s well deserved.

Here’s an excerpt to get you interested, and pre-order links will follow after the excerpt:

***

Chapter One

A HEAVY IRON candleholder slammed against the wall, just missing Corran Valmonde’s head.

“Son of a bitch!”

“Try not to make her mad, Corran.”

Rigan Valmonde knelt on the worn floor, drawing a sigil in charcoal, moving as quickly as he dared. Not quickly enough; a piece of firewood spun from the hearth and flew across the room, slamming him in the shoulder hard enough to make him grunt in pain.

“Keep her off me!” he snapped, repairing the smudge in the soot line. Sloppy symbols meant sloppy magic, and that could get someone killed.

“I would if I could see her.” Corran stepped away from the wall, raising his iron sword, putting himself between the fireplace and his brother. His breath misted in the unnaturally cold room and moisture condensed on the wavy glass of the only window.

“Watch where you step.” Rigan worked on the second sigil, widdershins from the soot marking, this one daubed in ochre. “I don’t want to have to do this again.”

A small ceramic bowl careened from the mantle, and, for an instant, Rigan glimpsed a young woman in a blood-soaked dress, one hand clutching her heavily pregnant belly. The other hand slipped right through the bowl, even as the dish hurtled at Rigan’s head. Rigan dove to one side and the bowl smashed against the opposite wall. At the same time, Corran’s sword slashed down through the specter. A howl of rage filled the air as the ghost dissipated.

You have no right to be in my home. The dead woman’s voice echoed in Rigan’s mind.

Get out of my head.

You are a confessor. Hear me!

Not while you’re trying to kill my brother.

“You’d better hurry.” Corran slowly turned, watching for the ghost.

“I can’t rush the ritual.” Rigan tried to shut out the ghost’s voice, focusing on the complex chalk sigil. He reached into a pouch and drew a thin curved line of salt, aconite, and powdered amanita, connecting the first sigil to the second, and the second to the third and fourth, working his way to drawing a complete warded circle.

The ghost materialized without warning on the other side of the line, thrusting a thin arm toward Rigan, her long fingers crabbed into claws, old blood beneath her torn nails. She opened a gash on Rigan’s cheek as he stumbled backward, grabbed a handful of the salt mixture and threw it. The apparition vanished with a wail.

“Corran!” Rigan’s warning came a breath too late as the ghost appeared right behind his brother, and took a swipe with her sharp, filthy nails, clawing Corran’s left shoulder.

He wronged me. He let me die, let my baby die— The voice shrieked in Rigan’s mind.

“Draw the damn signs!” Corran yelled. “I’ll handle her.” He wheeled, and before the blood-smeared ghost could strike again, the tip of his iron blade caught her in the chest. Her image dissipated like smoke, with a shriek that echoed from the walls.

Avenge me.

Sorry, lady, Rigan thought as he reached for a pot of pigment. I’m stuck listening to dead people’s dirty little secrets and last regrets, but I just bury people. Take your complaints up with the gods.

“Last one.” Rigan marked the rune in blue woad. The condensation on the window turned to frost, and he shivered. The ghost flickered, insubstantial but still identifiable as the young woman who had died bringing her stillborn child into the world. Her blood still stained the floor in the center of the warded circle and held her to this world as surely as her grief.

Wind whipped through the room, and would have scattered the salt and aconite line if Rigan had not daubed the mixture onto the floor in paste. Fragments of the broken bowl scythed through the air. The iron candle holder sailed across the room; Corran dodged it again, and a shard caught the side of his brother’s head, opening a cut on Rigan’s scalp, sending a warm rush of blood down the side of his face.

The ghost raged on, her anger and grief whipping the air into a whirlwind. I will not leave without justice for myself and my son.

You don’t really have a choice about it, Rigan replied silently and stepped across the warding, careful not to smudge the lines, pulling an iron knife from his belt. He nodded to Corran and together their voices rose as they chanted the burial rite, harmonizing out of long practice, the words of the Old Language as familiar as their own names.

The ghostly woman’s image flickered again, solid enough now that Rigan could see the streaks of blood on her pale arms and make out the pattern of her dress. She appeared right next to him, close enough that his shoulder bumped against her chest, and her mouth brushed his ear.

’Twas not nature that killed me. My faithless husband let us bleed because he thought the child was not his own.

The ghost vanished, compelled to reappear in the center of the circle, standing on the blood-stained floor. Rigan extended his trembling right hand and called to the magic, drawing on the old, familiar currents of power. The circle and runes flared with light. The sigils burned in red, white, blue, and black, with the salt-aconite lines a golden glow between them.

Corran and Rigan’s voices rose as the glow grew steadily brighter, and the ghost raged all the harder against the power that held her, thinning the line between this world and the next, opening a door and forcing her through it.

One heartbeat she was present; in the next she was gone, though her screams continued to echo.

Rigan and Corran kept on chanting, finishing the rite as the circle’s glow faded and the sigils dulled to mere pigment once more. Rigan lowered his palm and dispelled the magic, then blew out a deep breath.

“That was not supposed to happen.” Corran’s scowl deepened as he looked around the room, taking in the shattered bowl and the dented candle holder. He flinched, noticing Rigan’s wounds now that the immediate danger had passed.

“You’re hurt.”

Rigan shrugged. “Not as bad as you are.” He wiped blood from his face with his sleeve, then bent to gather the ritual materials.

“She confessed to you?” Corran bent to help his brother, wincing at the movement.

“Yeah. And she had her reasons,” Rigan replied. He looked at Corran, frowning at the blood that soaked his shirt. “We’ll need to wash and bind your wounds when we get back to the shop.”

“Let’s get out of here.”

They packed up their gear, but Corran did not sheath his iron sword until they were ready to step outside. A small crowd had gathered, no doubt drawn by the shrieks and thuds and the flares of light through the cracked, dirty window.

“Nothing to see here, folks,” Corran said, exhaustion clear in his voice. “We’re just the undertakers.”

Once they were convinced the excitement was over, the onlookers dispersed, leaving one man standing to the side. He looked up anxiously as Rigan and Corran approached him.

“Is it done? Is she gone?” For an instant, eagerness shone too clearly in his eyes. Then his posture shifted, shoulders hunching, gaze dropping, and mask slipped back into place. “I mean, is she at rest? After all she’s been through?”

Before Corran could answer, Rigan grabbed the man by the collar, pulled him around the corner into an alley and threw him up against the wall. “You can stop the grieving widower act,” he growled. Out of the corner of his eye, he saw Corran standing guard at the mouth of the alley, gripping his sword.

“I don’t know what you’re talking about!” The denial did not reach the man’s eyes.

“You let her bleed out, you let the baby die, because you didn’t think the child was yours.” Rigan’s voice was rough as gravel, pitched low so that only the trembling man could hear him.

“She betrayed me—”

“No.” The word brought the man up short. “No, if she had been lying, her spirit wouldn’t have been trapped here.” Rigan slammed the widower against the wall again to get his attention.

“Rigan—” Corran cautioned.

“Lying spirits don’t get trapped.” Rigan had a tight grip on the man’s shirt, enough that he could feel his body trembling. “Your wife. Your baby. Your fault.” He stepped back and let the man down, then threw him aside to land on the cobblestones. “The dead are at peace. You’ve got the rest of your life to live with what you did.” With that, he turned on his heel and walked away, as the man choked back a sob.

Corran sheathed his sword. “I really wish you’d stop beating up paying customers,” he grumbled as they turned to walk back to the shop.

“Wish I could. Don’t know how to stop being confessor to the dead, not sure what else to do once I know the dirt,” Rigan replied, an edge of pain and bitterness in his voice.

“So the husband brought us in to clean up his mess?” Corran winced as he walked; the gashes on his arm and back had to be throbbing.

“Yeah.”

“I like it better when the ghosts confess something like where they buried their money,” Corran replied.

“So do I.”

The sign over the front of the shop read Valmonde Undertakers. Around back, in the alley, the sign over the door just said Bodies. Corran led the way, dropping the small rucksack containing their gear just inside the entrance, and cursed under his breath as the strap raked across raw shoulders.

“Sit down,” Rigan said, nodding at an unoccupied mortuary table. He tied his brown hair into a queue before washing his hands in a bucket of fresh water drawn from the pump. “Let me have a look at those wounds.”

Footsteps descended the stairs from the small apartment above.

“You’re back? How bad was it?” Kell, the youngest of the Valmonde brothers, stopped halfway down the stairs. He had Corran’s coloring, taking after their father, with dark blond hair that curled when it grew long. Rigan’s brown hair favored their mother. All three brothers’ blue eyes were the same shade, making the resemblance impossible to overlook.

“Shit.” Kell jumped the last several steps as he saw his brothers’ injuries. He grabbed a bucket of water and scanned a row of powders and elixirs, grabbing bottles and measuring out with a practiced eye and long experience. “I thought you said it was just a banishing.”

“It was supposed to be ‘just’ a banishing,” Rigan said as Corran stripped off his bloody shirt. “But it didn’t go entirely to plan.” He soaked a clean cloth in the bucket Kell held and wrung it out.

“A murder, not a natural death,” Corran said, and his breath hitched as Rigan daubed his wounds. “Another ghost with more power than it should have had.”

Rigan saw Kell appraising Corran’s wounds, glancing at the gashes on Rigan’s face and hairline.

“Mine aren’t as bad,” Rigan said.

“When you’re done with Corran, I’ll take care of them,” Kell said. “So I’m guessing Mama’s magic kicked in again, if you knew about the murder?”

“Yeah,” Rigan replied in a flat voice.

Undertaking, like all the trades in Ravenwood, was a hereditary profession. That it came with its own magic held no surprise; all the trades did. The power and the profession were passed down from one generation to the next. Undertakers could ease a spirit’s transition to the realm beyond, nudge a lost soul onward, or release one held back by unfinished business. Sigils, grave markings, corpse paints, and ritual chants were all part of the job. But none of the other undertakers that Rigan knew had a mama who was part Wanderer. Of the three Valmonde brothers, only Rigan had inherited her ability to hear the confessions of the dead, something not even the temple priests could do. His mother had called it a gift. Most of the time, Rigan regarded it as a burden, sometimes a curse. Usually, it just made things more complicated than they needed to be.

“Hold still,” Rigan chided as Corran winced. “Ghost wounds draw taint.” He wiped away the blood, cleaned the cuts, and then applied ointment from the jar Kell handed him. All three of them knew the routine; they had done this kind of thing far too many times.

“There,” he said, binding up Corran’s arm and shoulder with strips of gauze torn from a clean linen shroud. “That should do it.”

Corran slid off the table to make room for Rigan. While Kell dealt with his brother’s wounds, Corran went to pour them each a whiskey.

“That’s the second time this month we’ve had a spirit go from angry to dangerous,” Corran said, returning with their drinks. He pushed a glass into Rigan’s hand, and set one aside for Kell, who was busy wiping the blood from his brother’s face.

“I’d love to know why.” Rigan tried not to wince as Kell probed his wounds. The deep gash where the pottery shard had sliced his hairline bled more freely than the cut on his cheek. Kell swore under his breath as he tried to staunch the bleeding.

“It’s happening all over Ravenwood, and no one in the Guild seems to know a damn thing about why or what to do about it,” Corran said, knocking his drink back in one shot. “Old Daniels said he’d heard his father talk about the same sort of thing, but that was fifty years ago. So why did the ghosts stop being dangerous then, and what made them start being dangerous now?”

Rigan started to shake his head, but stopped at a glare from Kell, who said, “Hold still.” He let out a long breath and complied, but his mind raced. Until the last few months, banishings were routine. Violence and tragedy sometimes produced ghosts, but in all the years since Rigan and Corran had been undertakers—first helping their father and uncles and then running the business since the older men had passed away—banishings were usually uneventful.

Make the marks, sing the chant, the ghost goes on and we go home. So what’s changed?

“I’m sick of being handed my ass by things that aren’t even solid,” Rigan grumbled. “If this keeps up, we’ll need to charge more.”

Corran snorted. “Good luck convincing Guild Master Orlo to raise the rates.”

Rigan’s eyes narrowed. “Guild Master Orlo can dodge flying candlesticks and broken pottery. See how he likes it.”

“Once you’ve finished grumbling we’ve got four new bodies to attend to,” Kell said. “One’s a Guild burial and the others are worth a few silvers a piece.” Rigan did not doubt that Kell had negotiated the best fees possible, he always did.

“Nice,” Rigan replied, and for the first time noticed that there were corpses on the other tables in the workshop, covered with sheets. “We can probably have these ready to take to the cemetery in the morning.”

“One of them was killed by a guard,” Kell said, turning his back and keeping his voice carefully neutral.

“Do you know why?” Corran tensed.

“His wife said he protested when the guard doubled the ‘protection’ fee. Guess the guard felt he needed to be taught a lesson.” Bribes were part of everyday life in Ravenwood, and residents generally went along with the hated extortion. Guilds promised to shield their members from the guards’ worst abuses, but in reality, the Guild Masters only intervened in the most extreme cases, fearful of drawing the Lord Mayor’s ire. At least, that had been the excuse when Corran sought justice from the Undertakers’ Guild for their father’s murder, a fatal beating on flimsy charges.

Rigan suspected the guards had killed their father because the neighborhood looked up to him, and if he’d decided to speak out in opposition, others might have followed. Even with the passing years, the grief remained sharp, the injustice bitter.

Kell went to wash his hands in a bucket by the door. “Trent came by while you and Corran were out. There’s been another attack, three dead. He wants you to go have a look and take care of the bodies.”

Rigan and Corran exchanged a glance. “What kind of attack?”

Kell sighed. “What kind do you think? Creatures.” He hesitated. “I got the feeling from Trent this was worse than usual.”

“Did Trent say what kind of creatures?” Corran asked, and Rigan picked up on an edge to his brother’s voice.

Kell nodded. “Ghouls.”

Corran swore under his breath and looked away, pushing back old memories. “All right,” he said, not quite managing to hide a shudder. “Let’s go get the bodies before it gets any later. We’re going to have our hands full tonight.”

“Kell and I can go, if you want to start on the ones here,” Rigan offered.

Corran shook his head. “No. I’m not much use as an undertaker if I can’t go get the corpses no matter how they came to an end,” Corran said.

Rigan heard the undercurrent in his tone. Kell glanced at Rigan, who gave a barely perceptible nod, warning Kell to say nothing. Corran’s dealing with the memories the best way he knows how, Rigan thought. I just wish there weren’t so many reminders.

“I’ll prepare the wash and the pigments, and get the shrouds ready,” Kell said. “I’ll have these folks ready for your part of the ritual by the time you get back.” He gestured to the bodies already laid out. “Might have to park the new ones in the cart for a bit and switch out—tables are scarce.”

Corran grimaced. “That’ll help.” He turned to Rigan. “Come on. Let’s get this over with.”

Kell gave them the directions Trent had provided. Corran took up the long poles of the undertaker’s cart, which clattered behind him as they walked. Rigan knew better than to talk to his brother when he was in this kind of mood. At best he could be present, keep Corran from having to deal with the ghouls’ victims alone, and sit up with him afterward.

It’s only been three months since he buried Jora, since we almost had to bury him. The memory’s raw, although he won’t mention it. But Kell and I both hear what he shouts in his sleep. He’s still fighting them in his dreams, and still losing.

Rigan’s memories of that night were bad enough—Trent stumbling to the back door of the shop, carrying Corran, bloody and unconscious; Corran’s too-still body on one of the mortuary tables; Kell praying to Doharmu and any god who would listen to stave off death; Trent, covered in Corran’s blood, telling them how he had found their brother and Jora out in the tavern barn, the ghoul that attacked them already feasting on Jora’s fresh corpse.

Rigan never did understand why Trent had gone to the barn that night, or how he managed to fight off the ghoul. Corran and Jora, no doubt, had slipped away for a tryst, expecting the barn to be safe and private. Corran said little of the attack, and Rigan hoped his brother truly did not remember all the details.

“We’re here.” Corran’s rough voice and expressionless face revealed more than any words.

Ross, the farrier, met them at the door. “I’m sorry to have to call you out,” he said.

“It’s our job,” Corran replied. “I’m just sorry the godsdamned ghouls are back.”

“Not for long,” Ross said under his breath. A glance passed between Corran and Ross. Rigan filed it away to ask Corran about later.

The stench hit Rigan as soon as they entered the barn. Two horses lay gutted in their stalls and partially dismembered. Blood spattered the wooden walls and soaked the sawdust. Flies swarmed on what the ghouls had left behind.

“They’re over here,” Ross said. The bodies of two men and a woman had been tossed aside like discarded bones at a feast. Rigan swallowed down bile. Corran paled, his jaw working as he ground his teeth.

Rigan and Corran knew better than most what remained of a corpse once a ghoul had finished with it. Belly torn open to get to the soft organs; ribs split wide to access the heart. How much of the flesh remained depended on the ghoul’s hunger and whether or not it feasted undisturbed. Given the state these bodies were in—their faces were the only parts left untouched—the ghouls had taken their time. Rigan closed his eyes and took a deep breath, willing himself not to retch.

“What about the creatures?” Corran asked.

“Must have fled when they heard us coming,” Ross said. “We were making plenty of noise.”

Ross handed them each a shovel, and took one up himself. “There’s not much left, and what’s there is… loose.”

“Who were they?” Rigan asked, not sure Corran felt up to asking questions.

Ross swallowed hard. “One of the men was my cousin, Tad. The other two were customers. They brought in the two horses late in the day, and my cousin said he’d handle it.”

Rigan heard the guilt in Ross’s tone.

“Guild honors?” Corran asked, finding his voice, and Ross nodded.

Rigan brought the cart into the barn, stopping as close as possible to the mangled corpses.

The bodies were likely to fall to pieces as soon as they began shoveling.

“Yeah,” Ross replied, getting past the lump in his throat. “Send them off right.” He shook his head. “They say the monsters are all part of the Balance, like life and death cancel each other out somehow. That’s bullshit, if you ask me.”

The three men bent to their work, trying not to think of the slippery bones and bloody bits as bodies. Carcasses. Like what’s left when the butcher’s done with a hog, or the vultures are finished with a cow, Rigan thought. The barn smelled of blood and entrails, copper and shit. Rigan looked at what they loaded into the cart. Only the skulls made it possible to tell that the remains had once been human.

“I’m sorry about this, but I need to do it—to keep them from rising as ghouls or restless spirits,” Rigan said. He pulled a glass bottle from the bag at the front of the wagon, and carefully removed the stopper, sprinkling the bodies with green vitriol to burn the flesh and prevent the corpses from rising. The acid sizzled, sending up noxious tendrils of smoke. Rigan stoppered the bottle and pulled out a bag of the salt-aconite-amanita mixture, dusting it over the bodies, assuring that the spirits would remain at rest.

Ross nodded. “Better than having them return as one of those… things,” he said, shuddering.

“We’ll have them buried tomorrow,” Corran said as Rigan secured their grisly load.

“That’s more than fair,” Ross agreed. “Corran—you know if I’d had a choice about calling you—”

“It’s our job.” Corran cut off the apology. Ross knew about Jora’s death. That didn’t change the fact that they were the only Guild undertakers in this area of Ravenwood, and Ross was a friend.

“I’ll be by tomorrow afternoon with the money,” Ross said, accompanying them to the door.

“We’ll be done by then,” Corran replied. Rigan went to pick up the cart’s poles, but Corran shook his head and lifted them himself.

Rigan did not argue. Easier for him to haul the wagon; that way he doesn’t have to look at the bodies and remember when Jora’s brother brought her for burial.

Rigan felt for the reassuring bulk of his knife beneath his cloak—a steel blade rather than the iron weapon they used in the banishing rite. No one knew the true nature of the monsters, or why so many more had started appearing in Ravenwood of late. Ghouls weren’t like angry ghosts or restless spirits that could be banished with salt, aconite, and iron. Whatever darkness spawned them and the rest of their monstrous brethren, they were creatures of skin and bone; only beheading would stop them.

Rigan kept his blade sharpened.

 

©2017 Gail Z. Martin. All rights reserved. May not be copied or shared in any format except with the written permission of the author.

Here are those pre-order links: Amazon US, Amazon UK

And check out Gail’s site for more info, excerpts and giveaways! 🙂

Until next time,

Be EPIC!

 
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Posted by on July 5, 2017 in Blog Tour

 

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Gail Z Martin’s Days of the Dead Blog Tour – Starting From Scratch

Hey everyone, hope you’re well. 🙂

It’s that time of the year again – Gail is running her massive blog tour, called, ‘Days of the Dead‘, and I, of course, jumped at the opportunity to host her again. 🙂

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Here’s Gail’s guest post – Starting From Scratch:

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Nothing is more intimidating than a blank screen or an empty page. I don’t care how many books you write, I’m not sure it ever gets any less scary to sit down and stare at that vast expanse of empty whiteness waiting for your words.

After you’ve got a few books under your belt, you do come prepared to face your fears with foreknowledge. You know it’s going to be difficult to get started, so you spend time mentally crafting your opening scene so you can jump right in. Or maybe you console yourself with the knowledge that you’ve done it before and you can do it again.

Of course you have an outline, and when you wrote the outline, it seemed like a good idea. The publisher signed off on it, so they thought it was a good idea too, and so did your agent. But then you sit down at the computer and that outline suddenly seems anemic. (I can’t speak for the authors who are said to write outlines of the same word count most authors write books. Maybe it’s easier for them, but that’s kind of like writing the book before you write the book, so cheating a little.)

For me, there are several issues that need to be settled as I build out a new series. They are 1) characters; 2) magic and religion; 3) political/economic structure; 4) climate/geography/history; 5) map and location of story action; 6) technology. All of those generally come to me based on the plot. So I’ll usually get an idea for a particular character with a certain kind of challenge/problem/danger. Then the question becomes: In what kind of a world could that happen? How would their world have to work for that to be an issue? How would those threats arise from that world and what would the ripple effects be?

I majored in history, so I know the importance of all the elements that come to a confluence in order for historical turning points to occur or pivotal leaders to surface. So I’ll think through the political situation and think about the rival forces and their competing visions, the economic system and who stands to profit or lose from the Big Problem. I’ll think about how history, myth, religion, magic and culture either support or pull against those trends. I’ll consider the various internal and external factions, what they want, what they stand to lose, and what they’re willing to do to win.

Geography matters, because it determines where roads and cities are built, where trade routes and money travel, where people will be isolated and where there is a natural crossroads. A map helps me keep it all straight. Then I have to go back and reconcile whether the characters and plot I originally envisioned have what they need to move forward in this new world, and if not, it’s back to the drawing board.

Building the world is as much fun as populating it with characters and writing the story. It’s a little like playing God, but without the mess.

I’m not permitted to say much yet about the new series I’m writing for Solaris Books that will come out in 2017 except to call it the Epically-Epic Epic Fantasy That Cannot Yet Be Named (or E3F for short). It’s my third foray into building an epic fantasy world. I’ve done my best to make all of the worlds I’ve created very different from one another in as many ways as I can. So the magic works differently and comes with new rules and a different source. The politics and the backstory are coming from a very different focus. All new gods and a new understanding of religion. Mixing it up keeps it fresh for me as well as for readers. Even though epic fantasy has its tropes (Medieval, castles, monarchies, swords, magic) there are so many ways to play with the details that it never gets boring. And if I need inspiration, real history is nearly limitless in the ideas!

My Days of the Dead blog tour runs through October 31 with brand new excerpts from upcoming books and recent short stories, interviews, guest blog posts, giveaways and more! Plus, I’ll be including extra excerpt links for my stories and for books by author friends of mine. You’ve got to visit the participating sites to get the goodies, just like Trick or Treat!  Get all the details about my Days of the Dead blog tour here: http://bit.ly/2eC2pxP

Let me give a shout-out for #HoldOnToTheLight–100+ Sci-Fi/Fantasy authors blogging about their personal struggles with depression, PTSD, anxiety, suicide and self-harm, candid posts by some of your favorite authors on how mental health issues have impacted their lives and books. Read the stories, share the stories, change a life. Find out more at www.HoldOnToTheLight.com

Book swag is the new Trick-or-Treat! All of my guest blog posts have links to free excerpts—grab them all!

Trick or Treat! Excerpt from my new urban fantasy novel Vendetta set in my Deadly Curiosities world here http://bit.ly/1ZXCPVS

Freee excerpt from my Jonmarc Vahanian Adventure short story Raider’s Curse http://bit.ly/12s119H

TrickOrTreat w excerpt Today’sPromise by Danielle Ackley-McPhail https://www.wattpad.com/myworks/23083500-today%27s-promise-chapter-1-excerpt

Spooky goodness from @JohnHartness QuincyHarker series RaisingHell Chp1  http://bit.ly/1MEMFSQ

An excerpt from Jean Marie Ward’s Everyday Haunts http://www.readmoreromance.com/sam/freebies/t-z/ward_haunts.pdf

Don’t miss out! Here’s the War of Shadows book video video https://youtu.be/DgCgrTto9WY

Use your free Audible trial to get my books! War of Shadows Audible https://amzn.com/B00WAFNG6I

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Remember to check out all the links for giveaways, more guest posts and book trailers. 🙂

Massive thanks to Gail for taking the time and making the effort – Days of the Dead is definitely one of the biggest and most interesting blog tours in the blogosphere, and I’m glad to be a part of it. 🙂

Until next time,

Be EPIC!

 
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Posted by on October 27, 2016 in Blog Tour

 

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Gail Z Martin Guest Post: Days of the Dead Blog Tour 2015!

Hey folks, Dave here, and though I’m a bit late to the proceedings I’ve got Gail Z Martin’s guest post for her awesome Day of the Dead Blog Tour – the 2015 edition! 🙂

Gail Martin, Dreamspinner Communications

Gail Martin, Dreamspinner Communications

Gail Z. Martin is the author of the upcoming novel Vendetta: A Deadly Curiosities Novel in her urban fantasy series set in Charleston, SC (Dec. 2015, Solaris Books) as well as the epic fantasy novel Shadow and Flame (March, 2016 Orbit Books) which is the fourth and final book in the Ascendant Kingdoms Saga. Shadowed Path, an anthology of Jonmarc Vahanian short stories set in the world of The Summoner, debuts from Solaris books in June, 2016.

Other books include The Jake Desmet Adventures a new Steampunk series (Solaris Books) co-authored with Larry N. Martin as well as Ice Forged, Reign of Ash and War of Shadows in The Ascendant Kingdoms Saga, The Chronicles of The Necromancer series (The Summoner, The Blood King, Dark Haven, Dark Lady’s Chosen) from Solaris Books and The Fallen Kings Cycle (The Sworn, The Dread) from Orbit Books and the urban fantasy novel Deadly Curiosities from Solaris Books.  

Gail writes four series of ebook short stories: The Jonmarc Vahanian Adventures, The Deadly Curiosities Adventures, The King’s Convicts series, and together with Larry N. Martin, The Storm and Fury Adventures. Her work has appeared in over 20 US/UK anthologies. Newest anthologies include: The Big Bad 2, Athena’s Daughters, Realms of Imagination, Heroes, With Great Power, and (co-authored with Larry N. Martin) Space, Contact Light, The Weird Wild West, The Side of Good/The Side of Evil, Alien Artifacts, Clockwork Universe: Steampunk vs. Aliens.

The Days of the Dead Blog Tour happens every year (check out what’s already been happening at the main website), and during this time Gail shares excerpts from her books, has plenty of giveaways and always manages to come up with excellent guest posts, among all the other things happening. 🙂

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This year, Gail wrote a guest post that plenty (if not ALL writers) will want to read; one of the biggest problems we face as writers is making sure that readers know about our work, where to get it, and a bit about ourselves, too. We may not be offering products like BluRay players, cell phones and smart cars, but we still need to market our works and ourselves. In short, if a writer struggles with marketing, that writer struggles more and longer than those who don’t.

So here’s Gail’s guest post, focusing on Marketing for Writers:

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Selling Your Soul – By Gail Z. Martin

It’s a deal you can’t refuse. Everything you’ve ever wanted. The man making the offer is dressed in black with a tall top hat, and you had to meet him at a crossroads at midnight, but that’s okay. It’s going to make your dreams come true. You don’t even realize, until later, that the pen that signed the contract wrote in blood.

Welcome to book marketing. Otherwise known as, the things we do for love.

Once upon a time, writers just wrote. Publishers took care of everything else. The mechanism by which a book became a bestseller—or a good-enough-to-get-more-contracts seller—was a black box, somewhere between alchemy and Voodoo. The book went in, the wheels went around and around, a bestseller came out. Like sausage—don’t ask what’s in the mix. But for a long time, that system worked, so I’m told.

It’s a brave new world these days. Even the most committed big publishers can only spare a small amount of promotional mojo for new authors or rising mid-listers. Most of the energy and the big bucks go toward recouping the large advances paid to the superstar authors. That means less effort and energy spent developing new talent, creating breakthrough opportunities, and developing visibility. Small presses are doing a great job bringing new authors to market and serving niche markets, but they have very little marketing muscle to offer aside from social media.

The work still has to be done. Guess who does it? Yep—you, the author.

We could talk all day about book promotion (and I have), but let me highlight the five most important tools every writer needs to compete in today’s very cluttered publishing environment. These five are essential whether you publish with a big traditional publisher, a small press or whether you self-publish. They’re the backbone of your marketing efforts. When you want to get fancy, you can add all kinds of bells and whistles, but without these five elements, you won’t have a foundation on which to build. Ready?

No. 1—A good author website.  Buy your domain name, don’t settle for a freebie site that is just a meaningless jumble of letters. First choice would be www.yourname.com or www.yourfirstnameinitiallastname.com. If those are taken, try www.yournameauthor.com. Avoid picking a domain for a character’s name or a series if you intend to be in the game for a long time. (If you’ve already done that and have an investment in your site, see if you can get your name as a domain and redirect the URL.)  I’m not a fan of .net or the other extensions because no one thinks of them—they go straight to .com.

If you do your website in WordPress, you can make most of your updates yourself. I’d suggest paying someone who is better at web design and web graphics than you are to do the layout. After that, you can probably keep up with it yourself. This is your home base. It should be on all your bookmarks and on your email signature, on the back cover of your books and on your blog posts—literally everywhere.

No. 2—An email newsletter. But wait—haven’t you been hearing for years that email newsletters are dinosaurs? That was before Facebook got greedy and suppressed organic post reach to around 1%. Social media site algorithms determine how many of your fans actually get to see your posts, but you own your mailing list. Facebook’s recent moves have sent everyone scrambling back to building their newsletter lists. And as fans realize that they aren’t hearing from the authors they signed up to hear from on social media, well-done newsletters are gaining popularity.

A few key notes—don’t spam your readers. Send out at most once a month, maybe less, and make it worth their time or people will ignore you or unsubscribe. Offer trivia questions, contests, etc. to keep it fun. Build your list with Rafflecopter contests and by doing drawings at conventions and book signings when guests put their email info into a fishbowl and you pick the winner.

No. 3—Social media. Hey, didn’t I just say social media isn’t delivering the results it used to?  Yep. But it’s still the best way to reach a global audience for free, and it’s still a good channel to update your fans on what’s going on and coming up—it’s just not as great a channel as it used to be. At a minimum, you need to have a Facebook fan page and a Twitter account. Beyond that, I’d suggest Goodreads, Wattpad, Pinterest as core sites. Add YouTube if you’re into video, and consider Tumblr or Instagram if your audience skews young and female.

No. 4—Blog.  This could be part of your main website, or you could have a separate blog. If you can create a blog with a handful of other dedicated authors in a similar genre (so your audiences are likely to overlap), that can make it easier to keep up a steady pace of blog posts. The more regularly you blog, the more readers you’ll get. What to talk about? I recommend staying away from hot-button controversies (since 50% of your readers are likely to disagree but you still want them to like you), but otherwise, muse about life, talk about cooking, or vacation, or your cat/dog, upcoming book events, how the book is going, etc.

No. 5—Get out and meet people. Go to genre conventions and meet readers and other authors. Do book signings and get to know the local bookstore managers and staff. Go to book clubs and library events and Meetup gatherings. Be personable and polite, don’t try to hard sell, just get to know people and let them get to know you. Relationships matter!

Remember that you want to win readers for life, not just for one book, so while marketing takes effort, time and some cash, it’s a long-term investment–and it’s more important than ever in today’s publishing environment.

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My Days of the Dead blog tour runs through October 31 with never-before-seen cover art, brand new excerpts from upcoming books and recent short stories, interviews, guest blog posts, giveaways and more! Plus, I’ll be including extra excerpt links for my stories and for books by author friends of mine. You’ve got to visit the participating sites to get the goodies, just like Trick or Treat! Details here: http://www.ascendantkingdoms.com/2015/10/22/days-of-the-dead-blog-tour-tricks-treats-and-scary-good-stuff/

Book swag is the new Trick-or-Treat! Grab your envelope of book swag awesomeness from me & 10 authors http://on.fb.me/1h4rIIe before 11/1!

Trick or Treat! Excerpt from my new urban fantasy novel Vendetta set in my Deadly Curiosities world here http://bit.ly/1ZXCPVS Launches Dec. 29

DEADLY CURIOSITIES-VENDETTA

More Treats! Enter to win a copy of Deadly Curiosities! https://www.goodreads.com/giveaway/show/160181-deadly-curiosities

Treats! Enter to win a copy of Iron & Blood! https://www.goodreads.com/giveaway/show/160182-iron-blood

I&B final cover

No Tricks! Here’s an excerpt from my Jonmarc Vahanian Adventure Raiders Curse http://bit.ly/12s119H

Halloween goodies! 2 FREE complete haunted novellas! The Final Death, set in my Deadly Curiosities world http://w.tt/1jsKqLL & Grave Voices http://w.tt/1kapSrn set in our Iron & Blood world

More Halloween loot! An excerpt from John Hartness’s Bubba The Monster Hunter series, Hall & Goats – http://bit.ly/1Lok7PC

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Massive thanks to Gail for the opportunity to host her here once again, and for the excellent guest post. 🙂 Remember to check out the entire blog tour for all the goodies! 🙂

Until next time,

Be EPIC!

 
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Posted by on October 30, 2015 in Blog Tour, Guest Post

 

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Days of the Dead Blog Tour – Guest Post: Gail Z Martin

Hey everyone, Dave here! 🙂

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It’s that time of the year again – Gail Z Martin, author of many novels -including those that make the Chronicles of the NecromancerThe Ascendant Kingdoms Saga, The Fallen Kings CycleDeadly Curiosities and plenty of short stories– is preparing us all for a massive 2015 by taking over the blogosphere with guest-posts, giveaways, excerpts and much more!

So, let’s welcome Gail once again, with a guest post exploring characters… 😉

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What Characters Do Between Books By Gail Z. Martin

Have you ever wondered what characters do on their days off?

What I mean is, do you ever think about what characters might be doing between books, when the author isn’t looking?

Those of us who live with multiple casts of characters in our heads think about strange things like this. Often, we are faced with characters who might be ready to mutiny on a moment’s notice if they thought it would get them a new book contract or a series of short stories.

Really, it’s not easy being in character limbo. And to tell the truth, that’s not how I think of my characters in between the tales I tell.

For example, my Chronicles of the Necromancer series is on hiatus as I write the Ascendant Kingdoms Saga. I have six more books I plan to write in the world of the Winter Kingdoms, but there is a natural seventeen-year break in the action in the books, and it was a good resting place for me to go off and do some other projects for a while.

That doesn’t mean the characters are resting on their laurels.

In my mind’s eye, I can tune in and see what my characters are up to while they wait for their next book. In my Chronicles of the Necromancer series, King Martris Drayke and his queen, Kiara of Isencroft are busy chasing two young boys, one with special magical needs, while rebuilding two kingdoms—Margolan and Isencroft—torn by war, famine, plague, and invasion.

Meanwhile, Lord Jonmarc Vahanian and his wife, Carina, are busy with twin girls, and Jonmarc must juggle the demands of his role as Lord of Dark Haven against his responsibilities as Champion to Queen Berwyn and her consort, Gethin of Eastmark. In Dhasson, newly-crowned King Jair struggles to lead his kingdom after the death of his father while grieving the loss of his wife and trying to raise a son who is both the rightful heir to the crown and the next shaman-chief of the nomadic Sworn.

Those are just a few of the characters readers got to know in the series, but as I go through the list, I can tell you how the others are doing, what their recent triumphs and trials have been, and what’s next for them.

From a storytelling perspective, these character-years aren’t important to chronicle because they fall between the big events. They’re the normal time, the breath between the storms. Yet for the characters themselves, the time is filled with personally momentous occasions as children grow, kingdoms rebuild, communities knit back together. The business of waging peace isn’t as exciting as conducting war, but it is demanding and busy, just the same. And even my characters know in their hearts that the good times must also come to an end someday…

My Days of the Dead blog tour runs through October 31 with never-before-seen cover art, brand new excerpts from upcoming books and recent short stories, interviews, guest blog posts, giveaways and more! Plus, I’ll be including extra excerpt links for stories and books by author friends of mine. And, a special 50% off discount from Double-Dragon ebooks! You’ve got to visit the participating sites to get the goodies, just like Trick or Treat! Details here:

www.AscendantKingdoms.com

Trick or Treat: Enjoy an excerpt from The Sworn, Book One in my Fallen Kings Cycle here: http://www.ascendantkingdoms.com/books/the-fallen-kings-cycle/the-sworn/the-sworn-chapter-one/

And a bonus excerpt from Ice Forged, Book One in my Ascendant Kingdoms Saga here: http://www.ascendantkingdoms.com/books/the-ascendant-kingdoms-saga/ice-forged/an-excerpt-from-ice-forged-book-one-in-the-ascendant-kingdoms-saga/

And a second bonus excerpt from Raider’s Curse, the first of my Jonmarc Vahanian Adventures short stories here: http://www.ascendantkingdoms.com/short-stories-and-more/the-jonmarc-vahanian-adventures/raiders-curse/excerpt-from-raiders-curse/

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I’ve never regretted letting Gail take over the blog, and this post is a prime example why- always interesting and illuminating! Don’t forget to check out the full list of celebrations as listed on Gail’s official site; there is a massive amount of things going on! 🙂

Many thanks to Gail for writing this excellent guest post, and for coordinating this post along with Gemma at Orbit – I’m definitely looking forward to the next Days of the Dead, as I’m sure you are!

Until next time,

Be EPIC!

P.S. You wanna see something EPIC? Follow this link. 😉

 
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Posted by on October 29, 2014 in Book Tour, Guest Post, Spotlight

 

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Guest Post: Gail Z Martin – Why Book Covers Still Matter

Morning! 🙂

I’m honoured to have Gail Z Martin -author of Chronicles of the Necromancer (Solaris), The Fallen Kings Cycle (Orbit), The Ascendant Kingdoms Cycle (Orbit), Deadly Curiosities (Solaris) and numerous shorter tales-  back on the blog with another guest post. This time she’s  talking about a topic very close to both reader’s and writer’s hearts – book covers. Over to Gail!

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Back when the only place to get books was in bookstores, browsing the shelves for new and interesting covers could be a pleasant Saturday afternoon pastime. Even before bookstores added coffee shops, it was easy to while away several hours just perusing the covers of books, looking for a hidden gem, a new adventure, or a tempting tome.

Now, much of our book buying has moved online, either to purchase paper books via Internet booksellers, or to download ebooks. It’s gotten harder to leisurely browse, in part because there are fewer brick-and-mortar bookstores than there used to be, and in part because those physical stores that do exist have often cut back on their range of books in order to feature profitable extras like gifts, music, movies and coffee.

So in an age when shoppers may only see the cover as the size of a webpage thumbnail, do covers really matter?

I believe they do. I know that some people lament the death of book covers in the same way they lament the passing of music album covers in the age of CDs and iTunes. And I agree that books do face some of the same threats that music has faced, although there are significant differences. All the same, I think that the reports of the death of book covers, to paraphrase Mark Twain, has been greatly exaggerated.

We’ve often been exhorted to not judge a book by its cover, yet covers are often the first connection an author makes with a reader. This is especially true if the author has not yet reached the superstar ranks of name recognition, or if the reader has never read anything by the particular author in the past.

It does appear true that the better known an author is, the less effort goes into their covers. Make it to the pinnacle of success, and covers often feature only the author’s name and the book title with a solid color background. But for most books, the cover signals the reader that this book is part of a particular genre, like other books the reader has enjoyed, and begins the job of shaping expectations before the book even gets lifted off the shelf.

A good cover–one that accurately signals the reader as to the genre and type of story–plays a major role in attracting an audience for the book. The quality of illustration and bookbinding also tells a reader something about the book, as many small press and self-published authors will attest. Watch readers move through a book festival or the vendor room at a genre convention, and notice which books get handled more often, and which ones never get picked up. Good covers make a difference.

What makes a good cover? It’s a complex mix of elements that starts with a professional quality illustration. Poor art is a stumbling block few books can overcome. Appropriate illustration is the next hurdle. Readers understand the visual shorthand that signals mystery, thriller, urban fantasy, epic fantasy and other genres. Send a miscue, and you’ll lose many potential readers while disappointing those who buy expecting a different sort of book.

Type font, placement and color matter, just as it matters to have a catchy title for the book. I’m not a graphic artist, but I can tell when the placement of the words on a book cover doesn’t look professional. Traditionally published authors don’t have to think about these things, but it’s a detail that many small press and self-pubbed authors struggle with as they strive to gain legitimacy in the reader’s eyes.

The back cover matters, too. I have my books face up on the table at signings to attract readers, but when I engage prospects in conversation, I’ll hand the book to them back cover up, encouraging the person to read the book summary and endorsement quotes. A gripping teaser of a recap goes a long way toward pulling in a reader and building a hunger to read the rest. If the reader has never read a book by a particular author, endorsement quotes by familiar authors or publications decreases perceived risk. While not every reader is swayed by blurbs, those quotes matter a lot for a certain type of book purchaser, and as an author, we want to send good cues on as many different levels as possible.

Authors like to believe that it’s the words between the covers that really matter, and they do. But without a cover that grabs the reader’s attention and makes them pick up the book, those words never get read. I can’t count the number of times a reader has told me, “Your cover made me buy your book.” I make sure to profusely thank my cover artists, and I work as closely with them as possible to provide the details necessary to do justice to the story inside. Covers matter!

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About the Author: Gail Z. Martin writes epic and urban fantasy, steampunk and short stories. She is the author of the Chronicles of the Necromancer series, the Fallen Kings Cycle series and the Ascendant Kingdoms Saga series of epic fantasy books, as well as the Deadly Curiosities urban fantasy world and coming in 2015, Iron and Blood, a Steampunk novel, co-written with Larry N. Martin. Gail is a frequently contributor to US and UK anthologies. She also writes two series of ebook short stories: The Jonmarc Vahanian Adventures and the Deadly Curiosities Adventures.

Find her at www.ChroniclesOfTheNecromancer.com, on Twitter @GailZMartin, on Facebook.com/WinterKingdoms, at DisquietingVisions.com blog and GhostInTheMachinePodcast.com. She leads monthly conversations on Goodreads and posts free excerpts of her work on Wattpad. An original novella set in the Deadly Curiosities universe, The Final Death, is available free on Wattpad here.

Reign of FINAL

Massive thanks to Gail for this excellent guest post, and to Anna Gregson for arranging it! 🙂

Wishing you all a kickass weekend!

Be EPIC!

 
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Posted by on June 13, 2014 in Guest Post

 

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Gail Z Martin’s ‘Days of the Dead’ Blog Tour – Guest Post

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Hey Girls and Guys, I’m back with a guest post by an author whose work you’ve been following for years, and who continues to impress – not only with the quality of her work, but also the quantity, since she’s one of the most prolific storytellers working in Epic Fantasy today. 🙂

Ladies and Gents, here’s Gail. 🙂

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Found Families

By Gail Z. Martin

“I’m a great believer in found families, and I’m not a great believer in blood.”—Joss Whedon.

“Found families” are the ones we make for ourselves, not the ones into which we’re born.  I think that sci-fi and fantasy may resonate quite so strongly with those of us who are fans because we know what it means to create and inhabit found families of our own.

The members of the Fellowship of the Ring were a found family. So were the bridge crew of the Enterprise, and the crew of the Serenity, the team at Torchwood, the companions and The Doctor, and so many more. Often, the members of a found family might not have come together as a unit under ordinary circumstances, but isolated and fighting for their lives, strong bonds can be formed among the most unlikely people.

If you’re very lucky, you like the people to whom you’re related by accident of birth.  For some people, that works out okay.  For the rest of us, with a few exceptions, we go through life believing that we must have been switched at birth. To survive, we begin creating found families of our own.

My characters, not so coincidentally, all know something about found families.  In my Chronicles of the Necromancer/Fallen Kings Cycle series, Tris Drayke creates a found family of his own when he is forced to flee for his life.  Three friends accompany him, but along the way, their group picks up additional people and the bonds connecting them grow stronger.  Fierce bonds of loyalty are forged under fire.

In the Ascendant Kingdoms Saga, Blaine McFadden forfeits his birth family when he is exiled for murder and sent to a brutal arctic prison colony.  In order to survive, Blaine builds a “family” of friends as a prisoner and later as a colonist in a harsh environment where someone’s got to have your back. As the series moves forward, this group of convict friends bring their unique skills to the post-apocalyptic ruin of the kingdom they left behind, in order to restore the magic upon which their civilization depended.

And in my upcoming urban fantasy book, Deadly Curiosities, Cassidy Kincaide has created a found family among the circle of close friends who know about her gift as a psychometric and are willing to risk their lives to aid in the quest to remove dangerous magical items from circulation.

I suspect that I’m a sucker for journey-quest stories because they almost always involve the building of found families.  I tend to favor ensemble casts for the same reason.  I don’t buy into the lone hero theory, where one intrepid man (or woman) single-handedly saves the day because he (or she) is just so damn ruggedly awesome. I find the lone hero approach incredibly arrogant, and unbelievable more than once. The go-it-alone type may have lots of good reasons and plenty of scars that have made him (or her) a self-centered, commitment-phobic loner, but there’s a shallowness there that just doesn’t interest me.

I also find the lone wolf approach very myopic, because although he believes himself to be fighting all alone, the truth is, he is relying on others at every step, for his training, his weapons, his infrastructure, his intel, and his cover.  Usually, these types of “heroes” leave a wake of dead bodies, people who die because of them but are never acknowledged for their contribution because the lone wolf is too busy patting himself on the back for doing it alone.

For me as a writer, it’s a lot of fun developing not just a few main characters, but the bonds between those characters.  I learn more about my characters when they are interacting with each other, within the network of those found family bonds.  I think my readers learn more about my characters in that kind of a setting, too, where it’s not just about how well a hero can save the world, but how does he keep his word? How does he treat those around him? Can he be depended upon in matters that don’t require swords and explosions? Is he an honorable friend or lover?

Creating and nurturing found families requires commitment.  It not only requires showing up regularly, but being willing to allow others to depend on you, and permitting yourself to depend on them.  It requires trust, and honor. It means watching out for other people as well as yourself, and thinking about what’s good for the group.  Lone wolves need not apply.

Come check out all the free excerpts, book giveaways and other goodies that are part of my Days of the Dead blog tour!   Trick-or-Treat you way through more than 30 partner sites where you’ll find brand new interviews, freebies and more — details at www.AscendantKingdoms.com.

Reign of Ash, book two in the Ascendant Kingdoms Saga launches in April, 2014 from Orbit Books.  My new urban fantasy, Deadly Curiosities, comes out in July, 2014 from Solaris Books. I bring out two series of ebook short stories with a new story every month for just .99 on Kindle, Kobo and Nook—check out the Jonmarc Vahanian Adventures or the Deadly Curiosities Adventures.

About the author: Gail Z. Martin is the author of Ice Forged in The Ascendant Kingdoms Saga and the upcoming Reign of Ash (Orbit Books, April 2014), plus The Chronicles of The Necromancer series (The Summoner, The Blood King, Dark Haven & Dark Lady’s Chosen ) from Solaris Books and The Fallen Kings Cycle (The Sworn  and The Dread) from Orbit Books.  In 2014, Gail launches a new urban fantasy novel, Deadly Curiosities, from Solaris Books. She is also the author of two series of ebook short stories: The Jonmarc Vahanian Adventures and the Deadly Curiosities Adventures.  Find her at www.ChroniclesOfTheNecromancer.com, on Twitter @GailZMartin, on Facebook.com/WinterKingdoms, at DisquietingVisions.com blog and GhostInTheMachinePodcast.com.

Ice Forged Cover FINAL (2)

Amazon US, Amazon UK, Exclusive Books

Reign of FINAL (2)

Amazon US, Amazon UK

Hope you enjoyed that – I know I did. 🙂 That’s the thing about Fantasy authors – practically everything they have to say is interesting. 😉

Until next time,

Be EPIC!

 

 

 
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Posted by on October 29, 2013 in Blog Tour

 

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