Hey everyone, Dave here again, hope you’re all well. I hope you got yourselves copies of ‘Thou Shalt Not’, which I reviewed on Wednesday.
In this post I’ll be reviewing a serial-killer thriller which is right up there with the work from folks like John Connolly and Thomas Harris, at least in my opinion.
Gabriel isn’t murdering anyone. He’s saving them.
The media has dubbed him the Seraphim Killer. He believes the gods have charged him to release the chosen, those for whom life has become an unbearable torment. Gabriel feels their suffering—his hands burn, his skull thunders, his stomach clenches. Once they are free, he places coins on their eyes to pay Charon for passage into paradise.
Detective Marlowe Gentry has spent the past two years on the edge. The last serial killer he hunted murdered his wife before his eyes and left his young daughter a mute shell. Whenever she looks at him, her dead eyes push him farther into a downward spiral of pain and regret. He sees the Seraphim as an opportunity for revenge, a chance to forgive himself―or die trying.
Gabriel performs the gods’ work with increasing confidence, freeing the chosen from their misery. One day, the gods withdraw the blessing―a victim he was certain yearned for release still holds the spark of life. Stunned, he retreats into the night, questioning why the gods have abandoned a loyal servant. Without his calling, Gabriel is insignificant to the world around him.
He will do anything to keep that from happening.
This novel is the first book is Dallas’ ‘Marlowe Gentry’ series, gentry being the main character and a detective.
Marlowe is a no-nonsense, seriously unhappy man; having gone through a massively traumatic experience and working as a detective, he sounds like the kind of character it would be difficult for the reader to associate with, but I found myself really caring about this guy; Dallas’ reveals more of Marlowe’s inner self chapter by chapter instead of giving the read *everything* about the man as soon as he’s introduced, a mistake which many writers in this genre have made. Marlowe comes across as an living, breathing person, and when I finally found out just what had been driving -and hounding- Marlowe, it rounded out his character perfectly. He’s a damaged man, but then, all great, memorable characters are.
Marlowe’s supporting cast is split between his superior, McCann, and his friend, Spence – the back and forth between them is entertaining and doesn’t feel forced at all. McCann is a man under immense pressure and Marlowe’s past (which is known to him) doesn’t make things any easier for him. Spence is, in many ways, Marlowe’s opposite, yet still manages to stand out among the cast – he supports Marlowe but also calls him out from time to time, the kind of thing a true friend does. Koop, the medical examiner, is another stand-out character who, along with Spence, could easily star in their own series’.
There are two other characters, Becca and Max. Becca is a psychologist and the wife of a bad cop; Max is a husband and father who gets very bad news, which impacts and changes his life. How these characters swirl into each others lives and then intersect with Marlowe’s, was expertly handled – they are all important and central to the plot, as well as to the plans and choices of the man who will change all their lives.
Which brings me to Gabriel, one of the most interesting serial killers I’ve met in this genre. His view of life, his personality, his choices, motives and methods are pretty damned unique and memorable and I was absolutely helpless as his tale unfolded.
The novel has an air of mystery and just-perceptible supernatural elements and the writing is tight and controlled; Dallas’ creates and maintains a balance between evoking the gritty urban world the characters inhabit and their inner selves, both deeply realized and explored.
When there’s a tangible sense of place as well as stand-out characters, a tale works well, and this tale, focusing on people trying to find their place in an unforgiving and brutal world, is excellent.
The only writers of the genre who have so captured me before this have been Thomas Harris and John Connolly – Dallas Mullican deserves to stand alongside them, and I’m really looking forward to reading the next Marlowe Gentry novel.
And how awesome is the cover art?!
To order your copies, follow this link for all the other links and info you’ll need.
Until next time,