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Review: Silent Running – Book 3 of The Hope Island Chronicles by PJ Strebor

I’ve always enjoyed PJ Strebor’s Military SF, and have come to regard Nathan Telford as one of my favourite characters – I’m glad to report that Silent Running did absolutely nothing to detract from any of that, and took the Hope Island Chronicles to new heights.

In this third book in the series, Nathan is older, wiser, and ready to make all new kinds of mistakes. Which is important – characters need to be fallible, and PJ handles his characters with an expert touch, allowing not only past events and decisions to impact his characters in new and unforseen ways, but by also allowing his characters to learn and react as they push forward, while always keeping how they would have reacted in mind. Kind of like life, PJ’s characters are messy and not always balanced, get emotional, lose perspective… It’s been an education to read how PJ has handled Nathan’s character-growth, specifically, and I have to take my hat off to him.

Now, if you’ve read the first two books in the series (and the fourth, which I haven’t yet), you’ll know Nathan’s backstory – what happened to him and his family when he was very young, the adversities he had to deal with as he grew up, and the challenges he had to surmount when he entered ‘society’ and began to forge a career and path for himself. If you haven’t, here’s a quick run-down:

Nathan’s family’s ship was attacked, basically hijacked, and almost everyone was killed or died. The attackers belonged to an empire-building, fanatical and fascist group, and as such, Nathan grew to really, really dislike them and everything they represent. Nathan had to survive on his own for years, and developed an interesting ability as a kind of survival mechanism – which stood him in good stead once he entered the navy and began forging the beginning of his legend – unknowingly, of course.

In this third novel, Nathan and his crew are targeted by a singularly determined and vicious enemy – our hero is forced to go deep behind enemy lines, facing not only threats and danger from those hunting him, but also from those trying to prove themselves on his own side. PJ handles a novel-full of tension well, keeping the pace up, sprinkling humour and tragedy here and there to spice things up, and still manages to share info regarding the universe he’s built for Nathan to play in and the mechanics of this universe’s technology without bogging down the narrative with info-dumps or spells of dry, rote reading.

PJ has become one of those authors whose work I’ll immediately shift to the top of the pile, because his track record is great and he knows how to spin an action-packed, pacey, character-driven yarn. Highly recommended!

I’m giving this a well-deserved 9/10 – be sure to start reading Nathan’s adventures if you haven’t yet (Amazon page here) and don’t forget to add PJ’s books to your must-be-read Goodreads shelf.

Until Friday,

Be EPIC!

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Posted by on February 18, 2019 in Reviews

 

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Reviews Coming Up

Hey everyone, hope you’re all well and that Friday is treating you awesomely. 🙂

As promised, here’s a quick look at the reviews I’ll be posting over the next couple of weeks – books in genres ranging from Middle Grade to Thrillers to Military SF to Epic Fantasy, as well as a couple of audiobooks.

Coming on Monday, PJ Strebor’s third novel in the Hope Island Chronicles series, starring Nathan Telford: “Silent Running”. Really enjoyed this one, so shift it (and the previous books) onto your radar.

Also coming up, Steven Poore’s excellent ‘Heir to the North’ – we are enjoying a literary age in which independently or self-published work is just as good as traditionally published, and the opening novel in Steven’s “Malessar’s Curse” is a prime example.

“The Rain Never Came” is one of the novels that has stayed with me – it’s cautionary, leans toward the tragic, and is slightly experimental.

“The Killing Lessons” is one of the best, most terrifying and nail-biting (even though I don’t bite my nails) Thrillers I’ve ever read (and listened to). Blew me away.

“Two Spells” by Mark Morrison was a cool read, despite a couple of (in my opinion) missteps, and I did enjoy it. 🙂

“The Red Wolf Conspiracy” was brilliant. I’m kicking myself that it’s taken me so long to read it. Absolutely loved it.

Gail Z Martin is building an excellent series around two brothers and their unusual gifts – I really enjoyed “Scourge”, and “Vengeance” was an excellent sequel.

So, those are the reviews you can expect over the next couple of weeks – I’ll probably not post them in the order I’ve shown them here, and there may be more reviews slipping in. See you back here on Monday. 🙂

Be EPIC!

 
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Posted by on February 15, 2019 in Reviews

 

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Review: Kingshold – Book 1 of The Wildfire Cycle by D.P. Woolliscroft

Hey everyone, Dave here – it’s been a while, I know!

Being both a reader and writer (why it’s been a while) of Fantasy, I’ve noticed quite a cool trend – at least in the last couple of years, and I think this trend has shown itself because of different, but important, gears clicking into place. The two biggest gears would be the Mark Lawrence-championed Self Published Fantasy Blog-Off – if you don’t know what that is, or who Mark Lawrence is, I despair of one day meeting you and will endeavor to wear a disguise so that you don’t recognize me. But check out this post to get a good idea of what SPFBO is and does. 😉 The other big gear would be the fact that self published SFF is carving out a space for itself (as it should and deserves to do) and becoming more widely talked about, shared and celebrated. I’m not saying that there isn’t still oceans of garbage to wade through, but the writers who are serious about their craft have upped their game considerably, to the point where the ‘big publishers’ are the ones on the back foot and struggling to catch up.

A great example of this exciting and powerful trend is the book I’m reviewing in this post – Kingshold. Not what I expected at all, but better than all my expectations.

I came across this book on Twitter – David had tweeted that he would be giving away paperbacks of Kingshold to a lucky number of folks who RT”d the Tweet – I was one of the people who retweeted, simply because I knew that I have many friends in both the US and UK who would be intrigued by the book and would want to take part. I was one of the winners, (I know; books above the lottery, any day) and I DM’d him, thanked him, and let him know that he might want to draw another winner in my place because I’m in South Africa and postage here is both expensive and prone to the kind of mishaps you’d think a heist-gang was behind… Anyway, David said he’d send me an ebook, which he did, and a couple of months later, here we are. 🙂

The book opens with the king and queen in Kingshold, the capital city of Edland, gazing dully out at their subjects. When you, the reader, find out why the monarchs seem so dull, you realize that this isn’t what you’ve been expecting – and that it also may be the start of something cool. As the tale unfolds, we meet a varied cast of characters (all central to the main- and side-plots) and also get such a wonderful mind’s-eye picture of the city that I didn’t feel the need to flip back to the maps (yes, there are two; kickass, right?). So, I was immediately struck by how well David balanced not only the main plot (which kicks off on the first page; no joke), but the characters and the world building. Seems really effortless, and that’s how I know how damned difficult is probably really was. We meet the different characters in different districts and get to know them a bit as the districts become more detailed and present in our minds, and all the while events continue to keep the plot-threads ticking and twitching.

Swinging back to the characters, we meet a sorcerer, his servant, her sister, an inn-keeper, a bard, three mercenaries, assorted noble-people (mostly rich and few of them nice), the chancellor, the spy master, and a young woman with cool magic who has an important link to the sorcerer. And many others, but that there is the main cast – and another reason why I was really enjoying the book as I was introduced, because reading a book featuring a ‘main’ character invariably means that the character is safe, i.e. he / she won’t die. Of if they do, they come back. Or possess someone. Or something. You know what I mean. So, with many characters shifting into and out of the spotlight, the sense of that safety net isn’t there. At all. Which also means that there’s a constant thread of tension in each chapter, and calls for more investment from the reader because will they all survive?!

And the plot, which keeps rolling on from the point of dull-eyed royal gazes, makes many twists and turns while keeping the tension tight and also offering many moments of laugh-out-loud comedy (or misfortune). There are cool battles and duels, witty comebacks and cutting remarks, cool magic backed by a great magic system, and an ever-expanding sense of ‘this world is biiiig’. In my estimation, Kingshold is exactly the kind of novel which long-time readers of Fantasy will enjoy and which will also reel in newcomers. It’s evident to me that David had a lot of fun writing this novel, and also that, in it, he celebrated much of what makes Fantasy so inclusive, fun and memorable.

Now, what did I expect? Vast battles! Sieges! World-breaking sorcery! Why? (blame that on Steven Erikson). Is that what Kingshold gave me? Nope – and I’m glad, because the novel is so much better than what I expected. Too often we allow ourselves to pushed into a corner by reading almost exclusively in one sub-genre, and yes, I love Epic Fantasy and Grimdark, but those sub-genres couldn’t pull off what David has done in Kingshold. It’s fresh, fun, considered, and an absolute page-turner, joyfully using all that makes Fantasy such a damned cool genre to read – and write in. Seriously, order your paperback and begin reading the ebook while you wait; you’ll thank me. Or not. But I live sufficiently far away from most of you that I’ll be safe. 😉

10 out of 10 – read this!

kingshold_typography4

To order your copies, click here for Amazon US and here for Amazon UK. And don’t forget to check out David’s site, either – he goes into his writing process, introduces the characters, explores Kingshold and its environs, and you can also get a free ebook by signing up for his newsletter.

Over at Out of This World Reviews, Nick Borrelli revealed the cover and detailed the line-up of tales in David’s Tales of Kingshold  – a collection which features many of the characters you’ll meet in Kingshold, both before and after the events of the first novel. It’s on my MBR (must-be-read) list, and I’m sure it’ll be on yours once you’ve enjoyed Kingshold. 🙂

Until next time,

Be EPIC!

 

 
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Posted by on August 31, 2018 in Reviews, Uncategorized

 

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Review: Late Whitsun by Jasper Kent

Jasper shouldn’t require any kind of introduction, but for those who haven’t come across his work, here’s that intro:

I first came across Jasper’s work in 2008, and would you believe I passed on a copy of Twelve without reading it… I was lucky enough to receive another copy and read and loved it. Twelve kicked off a sprawling vampire-epic (which I, admittedly, haven’t finished yet – need to remedy that…) and in Late Whitsun, Jasper has given us something different – an investigative mystery taking place in his hometown of Brighton.

Late Whitsun introduces Charlie Woolf, and when we meet him, he’s sketching portraits. He comes across as weathered, roughed up by life, but by pursuing the talent he has he also shows an emotional depth and observant side which give him great depth as a character. (One of the things I simply cannot believe (or like) as a reader is when a character in First Person POV seems to know everything and doesn’t sound normal; I’ve always thought of First Person POV as the reader being a passenger in the character’s head, not the reader reading a voluminous journal written by the character (it’s a personal thing; I like being the passenger more than reading journals). Thankfully, Jasper doesn’t give the reader a journal to read – we are the passengers.) We see what Charlie sees as he sees it, descriptions which are informed by the character’s knowledge or personal connections, and there’s no describing what happens where Charlie isn’t. It left me with the feeling that we were moving through many connected ‘worlds’ instead of just shifting from scene to scene and plot-beat to plot-beat. Also kept the pace flowing nicely and held my focus the entire time.

Plot-wise, things kick off when Woolf is asked to deliver a package by an old acquaintance – this simple request turns out not to be simple at all and launches Woolf into the sights of various people, including some investigating the a murdered man connected to Woolf and others who might know something about the dead man or his killer. What seems like a tried and tested plot is made fresh and exciting by not only the great pacing (Jasper keeps Woolf going and searching and questioning) and the way in which he reveals the Brighton of that time and its people and flavors, but also because the main mystery is not the only mystery – the intrigue builds. connecting various characters and events in clever ways so that when Jasper launches into the climax, the end is satisfying and exciting and memorable.

I’ve never been to Brighton (nor the UK, for that matter), so I can’t say that Jasper captured the feeling and look of the city, but if he didn’t, I’ll be really surprised; I felt like I was travelling through a living, breathing city with one of its best tour guides – a feat which many authors do get right, but at the expensive of their characters and the book’s pacing. Not the case here.

The flavor of the day (speaking as a bookseller) seems to split between three types of books: psychological thrillers (because publishers are still looking for the next The Girl on the Train), the next big Scandinavian crime hit, and something between Thomas Harris and James Patterson – Late Whitsun is a the kind of book you enjoy with a glass of your favorite drink, relaxing and comfortable. It’s a slow, increasing smolder that might give you a blister instead of singeing all your hair away – but that’s why I enjoyed it so much, too. While the pace did kick up, and up, and up as the book reached its climax, I never once felt that I was rushing through it and skipping sentences or paragraphs. It’s the kind of mystery you enjoy, not the kind you feverishly munch popcorn to.

All in all, a really great read and journey, introducing a memorable, layered character whom I look forward to reading more about. Have to give this one a 9/10.

 

To order this book, click here for Amazon US and here for Amazon UK, and for more info on Jasper’s other work (including that vampire epic, The Danilov Quintet), head on over to Jasper’s website.

Until next time, which might be a couple of weeks as I’m heading to Australia for a holiday,

Be EPIC!

 
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Posted by on March 2, 2018 in Reviews

 

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Double Review: Cthulhu Armageddon & The Tower of Zhaal by CT Phipps

One of the many things I’ve come to late in life is Lovecraftian fiction. In fact, I read ‘At the Mountains of Madness’ (which was my first Lovecraft-read ever) less than a year ago. I know, right?! But while I haven’t read Lovecraft’s body of work in Cosmic Horror, and was introduced to concepts and creatures Lovecraft used by Jonathan Maberry’s The Extinction Machine, I do appreciate a good tale and great characters, and I am beginning to develop a real love and respect for Lovecraft’s work and the mythos he created.

So, while I might not be the best judge on what ‘Lovecraftian’ is, I can assure you that CT Phipps really seems to know his stuff, and is a great writer and storyteller, too.

These books are set in a world in which the Great Old Ones emerged or rose and basically destroyed civilization and society. We as the readers aren’t shown this uprising, but we are shown what remains of the world and its people – and that’s not much, admittedly. There are strongholds where the military rule and towns and villages, peopled by the descendants of the folks who managed to survive, are to be found out in the wilderness. Much of society is focused on trading goods and services, and some places have even struck up agreements of a kind with some of the creatures who came with the Great Old Ones. This makes the world CT Phipps created rife with danger and intrigue, but also very interesting – and not only because of how mankind has tried to adapt to this new world. The main character, John Henry Boothe, lives in one of the larger, more secure settlements, is married and has children, and is a veteran of many clashes against not only creatures intent on easting him, but also people who have thrown in with the aims and beliefs of the Great Old Ones in order to survive. When John and a group of other veterans are sent on a mission to investigate the disappearances of children, they find the Black Cathedral – and the battle which occurs there completely changes John’s life.

John as a character is brave, stoic, no-nonsense and stubborn, and surprisingly unafraid to show fear – surprisingly, I say, because I didn’t expect a person as capable as him to show fear; which lends him an authenticity and creates a connection with the reader when he does. He starts off as the archetypal weathered soldier and becomes the kind of man who learns to think beyond his judgments, and to look critically at himself in an effort to not only become a better soldier but also a better person. John’s back-up cast are equally interesting and memorable, ranging from a priestess of a cult John was an unwilling member of, to his squad of fellow soldiers, to his wife, and even reaches further out to friends and acquaintances John made during his many travels. Each character has their own place, backstory and beliefs (whether religious or not), which makes them stand out as individuals – and in the world they inhabit, this also makes them refreshingly different to the kinds of characters we’ve met before. There are soldiers, but they’re not just soldiers; there are healers and scholars, but they’re not just healers and scholars. The uprising shaped and affected entire generations, and the psychological effects of their currently reality and the events their ancestors survived has left an indelible and permanent mark on the remainder of humanity – but never the same mark. Everyone was affected differently and grew up differently, which means that there are many different points of view the reader is exposed to.

The world which CT Phipps is weird and wonderful and terrifying and familiar. There are places in which sentient creatures live alongside humans, places where the boundaries between the worlds of the Great Old Ones and ours are thin or blurry; there are age-old holdouts such as casinos; there are gangs and mercenaries, scholars and students, politicians and soldiers, etc. Remnants and ruins of the old world are everywhere, not only buildings but books and cars and even beliefs. The sense I got of the world was one even deeper understood by the creator of the world (Phipps) than the folks behind the Mad Max movies – not just broken, rusted, cobbled-together stuff but reasons and causes behind everything.

And there are plenty of Great Old Ones who make their presences known – and they are as powerful and terrifying as you’d expect. Especially Cthulhu itself. Old tentacle-face makes an appearance in the second book and I admit to being really worried when I heard we’d be meeting Cthulhu, but Phipps did and amazing job there, too.

In short, these novels are entertaining, exciting, terrifying and human – the author’s love of respect for Lovecraft’s worlds and creations infuses these books, and it seems that he had massive fun writing these books. High adventure, weird and horrifying terror, stand-out characters and engaging, fast-paced plots make these books unputdownable and memorable, and if you are a fan of Lovecraftian fiction, I hope you’ll check these out. 🙂

8/10 for both books!

To order these books, click here for book 1 and here for book 2, and for more info about the author and his work, check out his website here.

Until next time,

Be EPIC!

 
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Posted by on February 27, 2018 in Reviews

 

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Review: Clade by James Bradley (Titan Books)

Hey everyone, hope you’re all well. 🙂 I’m back with a review of a very special book, which I hope will make you curious enough to get a copy and read for yourself.

Despite years (nah, decades) of data and conversations regarding climate change (and just so you know, I’m firmly in the ‘the climate is affected by what Man does’ camp), it’s a subject which remains important and is still being widely discussed. One day no-one will talk about the Kardashians anymore, but we’ll still be talking about climate change, and we (or our descendants) will be living through it. That’s basically the focus of this book – climate change and its effects over the course of many years.

But this isn’t an overtly SF look at climate change, and as such, is a standout book among Titan Books’ catalogue of novels.

Clade uses a single family and their close friends and acquaintances as the character focus for a novel which explores how climate change could possibly begin affecting society and then, eventually, changing the planet. It’s a deeply personal novel, in that it delves beautifully into the personalities driving the strange narrative – these are characters which -although mostly met and explored in what I would call snapshots (in that Clade doesn’t feature a ‘main’ character, but rather many connected characters and narratives)- live and breathe and emotionally react during their lives and the events affecting them. They are obstinate and caring and passive and volatile and hurt and amazed, and much, much more. When I think about Clade, the only novel which is even slightly similar (regarding the mechanics of how James does what he does) is Max Brooks’ ‘World War Z’, because that novel was also myriad snapshots of characters as they related what they had lived through while also showing the reader how the world had changed. It’s a bold way to tell a story, even as the overall tale consists of many smaller tales which connect, but James did a wonderful job of it all. Not one character feels useless or extraneous, and each character not only explores the continuing effects of climate change but also reveals more about the central family and everyone connected to that family. So, you as the reader will be following a family through decades of climate change effects on the planet while also exploring issues such a autism and refugees, to name but a couple.

The novel flows steadily and beautifully and is filled with beautiful, concise passages which are deeply affecting and, as such, cross that very personal barrier directly into the reader – well, it’s how I was affected, in any case. This isn’t a race-against-time story, and yet the narrative is pervaded with a sense of time running out – but not in the way the reader would expect. Instead, because the focus is on a connected familial cast, the changes wrought by climate change force these characters to find ways and means to live with the new world, instead of fighting against it. So, please don’t expect a science-heavy SF thriller.

I am deeply impressed by this book, and by James’ willingness to focus on people rather than the crisis – it made the novel beautiful and sad and exhilarating to read and when I eventually set it down, I knew I had found a writer who sees deeply into what it means (and how much it hurts) to be human while also being able to explore important scientific questions. I absolutely hate the term ‘literary’, but Clade is beautifully literary and accessible without coming across as pompous or highbrow. A really damned good book, and massive thanks to Paul Gill for making a copy available to me to read. Beautifully done, James – much respect to you.

10 / 10

For a bit more info about the book, check it out on Titan’s website, and add it to your Goodreads shelves.

Until next time,

Be EPIC!

 
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Posted by on February 23, 2018 in Reviews

 

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Review: The Ghost Club – Newly Found Tales of Victorian Terror by William Meikle (Crystal Lake Publishing)

Hey everyone, hope you’re all well – to the review!

Once thing that needs to be made clear before I delve into my thoughts on the stories – the only authors represented in this collection which I’ve read are Mark Twain, Jules Verne and Robert Louis Stevenson, and those when I was still in grade school. So I won’t be looking at this collection as a comparison to the styles of the authors. 🙂 I can hear some of you reacting incredulously – put it this way: I went from Enid Blyton and Franklin W Dixon to Stephen King; that should explain it. 😉

The premise of this collection is simple and yet so damned cool – a long-forgotten trove of literary treasures is found, featuring tales of a supernatural nature from many of literature’s greatest lights.

First up, Robert Louis Stevenson’s Wee Davie Makes a Friend:

The tale is sparsely told, almost as if it was written with a holding back of emotions -suitable to the time, I suppose; I haven’t read enough to be able to have a proper opinion- but this kind of telling makes the story have an even stronger emotional impact. It is melancholic and yet some events shine with exuberance and joy, while spiced with just enough strangeness to leave the reader wondering if the events related really occurred… It’s an excellent tale and a suitably engaging story to open the anthology with.

The High Bungalow by Rudyard Kipling is a chilly, creepy tale which would have sent me packing from the location it takes place in. It’s also an oddly captivating look at obsession, and the kinds of things we leave behind when ensnared. I loved how the story begins layering aspects of dread and fear with the descriptions of myriad sounds, and how that creepiness builds.

The Immortal Memory by Leo Tolstoy has an almost tragically comic edge to it (the kind of edge which cuts without pain, but is only noticed much later) as the main character struggles to do what has been asked of him, and becomes an endearing ghost story which also manages to paint a vivid picture of its location (guess) and supporting characters. The end is where the cut is felt – not really a twist, but a revelation of sorts which is further affected by the sadness connected to it.

In the House of the Dead by Bram Stoker was an excellent character- and grief-study, while also giving the reader a glimpse of a place (and choice) which many of us would choose to visit and make. We are all the main character, simply trying to help a friend and being drawn in despite our misgivings. It’s serves as both a lesson and an exploration of where grief can take someone.

Once a Jackass by Mark Twain reads like it would make an awesome movie if directed by Guy Richie. It has flavours of humour and brutality and pulls the reader along into an unavoidable spiral – really good stuff!

Farside by H.G. Wells was damned entertaining – I’ve never encountered the equipment one of the characters uses to reach out to places beyond the real, and the tale managed to balance the technical details of this equipment with what it could do as well as giving us characters to embody the reactions and fears we would probably have. Really interesting and captivating tale.

To the Manor Born by Margaret Oliphant is an achingly sad tale of exploration and loss, one which also shows that loss and grief can be soothed even if the circumstances are beyond what people would call normal. It maintains a captivating balance between exposition and plot, and the characters are wonderfully real.

The Angry Ghost by Oscar Wilde is the only tale of the lot I struggle to identify with – the building of the mystery was expertly handled but I found myself a bit let down by the resolution, and the characters didn’t ‘speak’ to me as much as I would have liked. Granted, I’ve never read Wilde, so that might be why the tale didn’t hit all my spots.

**I confused Oscar with Orwell; yes, I know. 😦

The Black Ziggurat by Henry Rider Haggard was a tale which echoed with weary determination and wonder; the journey into the mystery was atmospheric and intriguing, led by Henry, which gave the story a personal, emotional touch, and I really felt that I was witness to the passing of something wonderful and beautiful. Great tale!

Born of Ether by Helena B. Blavatsky is, for me, the most hard-hitting tale – it explores the pursuit of knowledge and self, and leads the main character down an unexpected path. This tale will stay with me for years.

The Scrimshaw Set by Henry James is a stand-out tale because it focuses on one of the coolest haunted objects I’ve ever read about – the description of the object, the effect is has on both places and people, and the origin of the haunting are utterly original and captivating. Seriously good tale!

At the Molenzki Junction by Anton Chekov was another tale that, while well-written and offering a glimpse at a beautiful, hidden world, didn’t connect with me as much as I’d hoped it would. The tale plays out in the depths of a Russian winter and shows what happens to a vodka-lover when he braves the snow; he meets with wolves, and the beautiful mystery hidden by the snow. As I said, well told, but I couldn’t connect.

To the Moon and Beyond by Jules Verne was absolutely kickass – the perfect melding of SF and Horror, with a cool touch of the metaphysical. Since I’ve read Verne, I can say that this felt as if it had been written by him; the tale also showcased a great exploration of the tech of the time and also explored a bit of the role the media would have in an event such as what takes place in the story. Really memorable and exciting tale. 🙂

The Curious Affair on the Embankment by Arthur Conan Doyle seems like the perfect tale which Hammer Films never got to make – it’s old-school, takes the reader on an interesting investigation (as one would expect from Doyle) led by a character who hardly ever gets the spotlight (and who turns out to be a really great lead), and shows a side of the world these characters inhabit which is entertaining as the world of strange, clever crimes they usually find themselves in.

William Meikle has outdone many authors who have tried their hand at doing something similar – the tales have the feel and texture of their time, including speech mannerisms, equipment, architecture, and much more. There’s a sense of immersion in these tales which makes it feel as if the stories occur in the same world, almost side by side, instead of being told by the writer while sitting at a table with his or her peers.

The cover art and design are perfectly suited to the stories, so kudos to Ben Baldwin once again. 🙂

All in all, a massively entertaining and memorable collection by William – and another winner from Crystal Lake Publishing!

9 / 10

Order your copies from Amazon, and add the book to your Goodreads shelf – and don’t forget to check out William’s site and the Crystal Lake site for more information and more to read. 🙂

Until next time,

Be EPIC!

 
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Posted by on December 11, 2017 in Reviews

 

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