Author Archives: Dave de Burgh

About Dave de Burgh

I'm a writer, editor, guitar-player, comic-reader, game-player, paranormal investigator, and co-parent to three awesome furkids.

Review: The Ghost Club – Newly Found Tales of Victorian Terror by William Meikle (Crystal Lake Publishing)

Hey everyone, hope you’re all well – to the review!

Once thing that needs to be made clear before I delve into my thoughts on the stories – the only authors represented in this collection which I’ve read are Mark Twain, Jules Verne and Robert Louis Stevenson, and those when I was still in grade school. So I won’t be looking at this collection as a comparison to the styles of the authors. 🙂 I can hear some of you reacting incredulously – put it this way: I went from Enid Blyton and Franklin W Dixon to Stephen King; that should explain it. 😉

The premise of this collection is simple and yet so damned cool – a long-forgotten trove of literary treasures is found, featuring tales of a supernatural nature from many of literature’s greatest lights.

First up, Robert Louis Stevenson’s Wee Davie Makes a Friend:

The tale is sparsely told, almost as if it was written with a holding back of emotions -suitable to the time, I suppose; I haven’t read enough to be able to have a proper opinion- but this kind of telling makes the story have an even stronger emotional impact. It is melancholic and yet some events shine with exuberance and joy, while spiced with just enough strangeness to leave the reader wondering if the events related really occurred… It’s an excellent tale and a suitably engaging story to open the anthology with.

The High Bungalow by Rudyard Kipling is a chilly, creepy tale which would have sent me packing from the location it takes place in. It’s also an oddly captivating look at obsession, and the kinds of things we leave behind when ensnared. I loved how the story begins layering aspects of dread and fear with the descriptions of myriad sounds, and how that creepiness builds.

The Immortal Memory by Leo Tolstoy has an almost tragically comic edge to it (the kind of edge which cuts without pain, but is only noticed much later) as the main character struggles to do what has been asked of him, and becomes an endearing ghost story which also manages to paint a vivid picture of its location (guess) and supporting characters. The end is where the cut is felt – not really a twist, but a revelation of sorts which is further affected by the sadness connected to it.

In the House of the Dead by Bram Stoker was an excellent character- and grief-study, while also giving the reader a glimpse of a place (and choice) which many of us would choose to visit and make. We are all the main character, simply trying to help a friend and being drawn in despite our misgivings. It’s serves as both a lesson and an exploration of where grief can take someone.

Once a Jackass by Mark Twain reads like it would make an awesome movie if directed by Guy Richie. It has flavours of humour and brutality and pulls the reader along into an unavoidable spiral – really good stuff!

Farside by H.G. Wells was damned entertaining – I’ve never encountered the equipment one of the characters uses to reach out to places beyond the real, and the tale managed to balance the technical details of this equipment with what it could do as well as giving us characters to embody the reactions and fears we would probably have. Really interesting and captivating tale.

To the Manor Born by Margaret Oliphant is an achingly sad tale of exploration and loss, one which also shows that loss and grief can be soothed even if the circumstances are beyond what people would call normal. It maintains a captivating balance between exposition and plot, and the characters are wonderfully real.

The Angry Ghost by Oscar Wilde is the only tale of the lot I struggle to identify with – the building of the mystery was expertly handled but I found myself a bit let down by the resolution, and the characters didn’t ‘speak’ to me as much as I would have liked. Granted, I’ve never read Wilde, so that might be why the tale didn’t hit all my spots.

**I confused Oscar with Orwell; yes, I know. 😦

The Black Ziggurat by Henry Rider Haggard was a tale which echoed with weary determination and wonder; the journey into the mystery was atmospheric and intriguing, led by Henry, which gave the story a personal, emotional touch, and I really felt that I was witness to the passing of something wonderful and beautiful. Great tale!

Born of Ether by Helena B. Blavatsky is, for me, the most hard-hitting tale – it explores the pursuit of knowledge and self, and leads the main character down an unexpected path. This tale will stay with me for years.

The Scrimshaw Set by Henry James is a stand-out tale because it focuses on one of the coolest haunted objects I’ve ever read about – the description of the object, the effect is has on both places and people, and the origin of the haunting are utterly original and captivating. Seriously good tale!

At the Molenzki Junction by Anton Chekov was another tale that, while well-written and offering a glimpse at a beautiful, hidden world, didn’t connect with me as much as I’d hoped it would. The tale plays out in the depths of a Russian winter and shows what happens to a vodka-lover when he braves the snow; he meets with wolves, and the beautiful mystery hidden by the snow. As I said, well told, but I couldn’t connect.

To the Moon and Beyond by Jules Verne was absolutely kickass – the perfect melding of SF and Horror, with a cool touch of the metaphysical. Since I’ve read Verne, I can say that this felt as if it had been written by him; the tale also showcased a great exploration of the tech of the time and also explored a bit of the role the media would have in an event such as what takes place in the story. Really memorable and exciting tale. 🙂

The Curious Affair on the Embankment by Arthur Conan Doyle seems like the perfect tale which Hammer Films never got to make – it’s old-school, takes the reader on an interesting investigation (as one would expect from Doyle) led by a character who hardly ever gets the spotlight (and who turns out to be a really great lead), and shows a side of the world these characters inhabit which is entertaining as the world of strange, clever crimes they usually find themselves in.

William Meikle has outdone many authors who have tried their hand at doing something similar – the tales have the feel and texture of their time, including speech mannerisms, equipment, architecture, and much more. There’s a sense of immersion in these tales which makes it feel as if the stories occur in the same world, almost side by side, instead of being told by the writer while sitting at a table with his or her peers.

The cover art and design are perfectly suited to the stories, so kudos to Ben Baldwin once again. 🙂

All in all, a massively entertaining and memorable collection by William – and another winner from Crystal Lake Publishing!

9 / 10

Order your copies from Amazon, and add the book to your Goodreads shelf – and don’t forget to check out William’s site and the Crystal Lake site for more information and more to read. 🙂

Until next time,


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Posted by on December 11, 2017 in Reviews


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Review: Rarity from the Hollow by Robert Eggleton

This was a strange book – strange in a good way, but, I confess, very different to much that I’ve ever read. I’ll try to explain my opinion as best I can. 🙂

Lacy Dawn’s father relives the Gulf War, her mother’s teeth are rotting out, and her best friend is murdered by the meanest daddy on Earth. Life in The Hollow isn’t great. But Lacy has one advantage — she’s been befriended by a semi-organic, semi-robot who works with her to cure her parents. He wants something in exchange, though. It’s up to her to save the Universe.

Will Lacy Dawn’s predisposition, education, and magic be enough for her to save the Universe, Earth, and, most importantly, protect her own family?

When I began reading this book, I did so without having read the blurb above – it’s something I’m doing more and more, seemingly as I get older, for whatever reason… Perhaps something to do with my fear of being influenced to expect something specific from a book’s blurb? I’m not sure, to be honest. But in any case, that’s what I did with this book.

Lacy Dawn is precocious, intelligent, naive and curious. She’s also the only child of terrible parents, and they all live (and sometimes ‘live’ is a really strong word) in really bad conditions. As the central character in a story, and being as young as she is when the reader meets her, Lacy Dawn absolutely stole the lime light – as she was supposed to, I’m sure. As her story develops, we are shown how very dark and sad her life is – there is violence, abuse, and general abandonment in terms of the people who are supposed to look after her not really trying, mired as they are in their problems, but Lacy Dawn has a kind of ‘magic’ -to which I’ll return later- and a secret friend which help her to cope.

As I said earlier, I didn’t read the book’s blurb, so I didn’t know what to expect, but I have to confess to allowing my own preconceptions to color the narrative, in terms of me experiencing Lacy Dawn, her circumstances and what she’s capable of doing through a kind of ‘she imagines all of it to help her cope and get through the day’ lens. There is a sad and fragile beauty to her tale, and it came as a bit of a shock when what I thought she was imagining turned out to be real, and when the narrative shifted into a completely different gear (where the ‘strange’ I mentioned earlier comes in).

The story then becomes what I felt was an unfocused satire regarding, of all things, shopping. Now, don’t get me wrong – the satire works, but because of the jarring ship from Lacy Dawn’s circumstances to this new focus, it takes a bit of getting used to. And although I did come to understand it, the effort was akin to trying to fit two incompatible shapes together, having to force it a bit.

What I also found difficult was -as is mentioned in the blurb- just why Lacy Dawn had to save the universe, and what from; I confess that I may have still been trying to fit the two narratives (the first focusing on a really terrible childhood, the next focusing on shopping) together and so missed why the universe needed saving, but unfortunately that also led me to not understanding why Lacy Dawn herself had been chosen to save the universe. Another aspect of the plot which is used many, many times is Lacy Dawn’s ‘magic’, which isn’t explained in terms of where she got these abilities and even learned how to use them. Saving the universe and having magical abilities were the two major aspects of the narrative I really didn’t understand, which led me to not understanding who Lacy Dawn becomes – which led me to connecting with and understanding the supporting cast of characters more than the main character.

Structurally, the book also takes a bit of getting used to: the reader is given first-person POV thoughts from all the different characters throughout the book (which is written in the 3rd person POV) with no clarity as to whom thought those thoughts; as I said, it takes a bit of getting used to, but the ‘getting used to it’ forces the reader to jump back and forth and re-read passages to identify the owner of the thoughts, which then slows down the narrative considerably.

Now, here’s the thing – I haven’t read much satire, and I’m one of those readers who struggles to understand experimental forms of narrative, so my preconceptions of the reading of this book probably made it that much more difficult for me to fully grasp what was being done in the book. Which is another way of saying that this isn’t a bad, or terrible, or *whatever* book, but that it was a strange book – at least, for me.

I do encourage you to get yourself a copy and read it, though; as the reviews I write are my opinions of books, I really want you to make up your own mind, and I’m pretty sure that many, many readers will disagree with my opinion. Which is what makes opinions so damned cool (and, yes, dangerous).

So, to cap off the review, there was aspects of this novel that worked beautifully and memorably, and aspects that didn’t, but I did enjoy reading it and my attention was held throughout. So give it read and feel free to let me know what you thought of the book. 🙂

7 / 10

To order your copies, click the link for Amazon US, and check out Robert’s Goodreads page for links to more of his work.

Until next time,


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Posted by on November 29, 2017 in Reviews


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Review: Scourge – A Darkhurst Novel – by Gail Z Martin

Hey folks, hope you’re all well. 🙂

I’m back with a belated review of Gail‘s Scourge – one of the most enjoyable and different Fantasy’s I’ve read in years.

The city-state of Ravenwood is wealthy, powerful, and corrupt. Merchant Princes and Guild Masters wager fortunes to outmaneuver League rivals for the king’s favor and advantageous trading terms. Lord Mayor Ellor Machison wields assassins, blood witches, and forbidden magic to assure that his powerful patrons get what they want, no matter the cost.

Corran, Rigan, and Kell Valmonde are Guild Undertakers, left to run their family’s business when guards murdered their father and monsters killed their mother. Their grave magic enables them to help souls pass to the After and banish vengeful spirits. Rigan’s magic is unusually strong and enables him to hear the confessions of the dead, the secrets that would otherwise be taken to the grave.

When the toll exacted by monsters and brutal guards hits close to home and ghosts expose the hidden sins of powerful men, Corran, Rigan and Kell become targets in a deadly game and face a choice: obey the Guild, or fight back and risk everything.


Scourge follows the stories of three brothers and an assortment of other characters, all equally important to the narrative, and is set in a world in which magic, monsters, and politics all collide while giving the reader glimpses of a larger and equally intriguing world beyond the tale’s focus.

The three brothers are Corran, Rigan and Kell Valmonde – they are undertakers, and their duty is to fetch and bury the dead according to the different customs which govern how the dead are treated. These customs are described in enough detail that the reader is given a good indication of their importance, and the customs also compliment various strands of the tale’s plot – i.e. the customs aren’t useless, and add a layer of important detail to the story while also adding more layers to the world -and city- the Valmonde brothers live in.

Corran is the oldest brother and is still suffering through the trauma of losing people important to him, a trauma which Rigan and Kell also share. Since Corran is the oldest, he’s the leader, the one who takes chances he wouldn’t want his brothers to have to take, and he also makes the hard decisions – not only does this lead Corran into more danger than he can safely handle, but also leads to conflict between him and his brothers.

Rigan hides an interesting skill, revealed in the first chapter, which eventually sets him off on his own path – a path that will take Rigan into depths and darkness shunned by most of the city-dwellers, but which shares an important connection with what Corran is doing, and Kell is learning the undertaker-trade while trying to keep his brothers off each other; Kell’s path intersects with each of his brothers’, and he is as important to the plot as they are.

The dynamic between the brothers is excellently written – each singular personality shines, each ‘voice’ stands out, and each of their roles, while unique, compliment not only their relationships with each other but also serve to generate those important aspects of characters like empathy and curiosity – I connected with each of the brothers and was really interested in what would happen to them as the plot unfolded.

There are other characters who swirl into and out of the plot, and the most important of these is the mayor of Ravenwood – his role, and the role he plays throughout the novel, ties together the influence he has has on the city’s various Guilds (the Valmonde-brothers, as undertakers, are part of a Guild), the political games and tactics he uses to maintain the balance between what he needs to do (for those he serves) and what he wants to do (for himself and to further secure his position), and the ever-present threat of the very interesting and important layers of magic and sorcery which affect everyone in the city. He’s a fully-fleshed character, in both his personality, ambitions, traits and foibles, and has concrete and believable reasons for being who he is and doing what he does.

Many other characters people the city, and though they don’t (understandably) get the focus the main cast does, they all add to the well-crafted illusion of a living, breathing populace with their own problems and points of view.

Ravenwood itself is a great character itself, even though it’s just a city – and because it’s not just a city, too. It’s obvious that Gail put plenty of considered thought into the hierarchy of its people, its layout, and how different it is in the day time compared to the night time. It also stands out in the wider world, remaining interesting even as Gail gives us hints of other places and events central to Ravenwood’s existence and place.

The novel’s magic-system is both interesting and fresh, using both rituals, energy and herbs, to name but a few important aspects, and what also came through strongly for me was not only how the magic affected the characters and drove the plot (and by saying this, I mean that all seemed to be balanced and complimented each other) but also how much Gail enjoyed the magic-system she had created. There’s danger and excitement galore. 🙂

Plot-wise, the novel is quick and doesn’t waste any time – threads which become very important are sowed early on in a manner which adds flavour and layers to the tale, not simply because these threads are important to the plot. What Gail also does, throughout the novel, is keep not only the plot moving forward as she reveals more about the world and the magic, but the plot affects the characters and the characters influence the plot – two things which any novel needs to do, and do well, to keep the reader hooked. Gail makes it looked so damned easy… 😉

Scourge is strong, fine tale which takes the reader into a vibrant, dangerous and exciting world by using vibrant characters and an exciting plot, without having to use the massive battles and eons-long conflicts which so many Fantasy tales use. It’s tightly crafted and composed, features great stand-out characters, and doesn’t once tread anywhere near stereotypical characters or tropey excuses. Really damned enjoyable!


You can order Scourge as an eBook or paperback (or both!), and also read an extract from the novel, at this link.

Until next time,




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Posted by on November 28, 2017 in Reviews


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Review: The Hidden Face by S.C. Flynn

Hey everyone, hope you’re all well. 🙂

One of the reasons that I love reading Fantasy (whether it be Epic, High, Dark, Heroic, etc.) is that Fantasy writers take chances and aren’t afraid of doing things differently. Tales in which the exhausted trope of ‘the prophesied one’ are upended and refreshed; tales in which magic itself takes a backseat so that the world and he characters shine brighter. These kinds of tales give readers something new to experience, and The Hidden Face is on of those tales.

Here’s the novel’s synopsis:

A face without a face – an unmasking that leaves the mask.

Once every few hundred years the sun god, the Akhen, takes on human form and descends to earth. Each Unmasking of the Face of the Akhen ends one era and begins another; the last one created the Faustian Empire. Where and when will the Face next appear, and who will he – or she – be?

Dayraven, son of a great hero, returns to Faustia after years as a hostage of their rivals, the Magians. Those years have changed him, but Faustia has changed as well; the emperor Calvo now seems eccentric and is controlled by one of Dayraven’s old enemies. Following the brutal death of his old teacher, Dayraven is drawn, together with a warrior woman named Sunniva, into the search for an ancient secret that would change the fate of empires.

Powerful enemies want the secret as well, including a dynasty of magician-kings who were thought to have died out long ago, a mad, murderous hunchback and a beautiful, deadly woman who is never seen. Sunniva and Dayraven fight to survive and to solve the mystery while their own pasts come back to life and the attraction between them deepens.

Looking at the great cover as a starting point (the cover was created by illustrator John Di Giovanni and designer Shawn King), we get the sense that this novel might have a religious-focus, because the cover brings to mind paintings of Jesus Christ – and not only does the cover echo those kinds of paintings, but also inverts them; we’re used to seeing a halo around Jesus’ head, yet in this cover, the focus is the obscuring of the figure’s face. The cover works absolutely as an eye- and interest-catcher, but works even better once you’ve read the novel – if there was an award for ‘Best Cover Accurately Representing a Novel‘, of something similar, the cover of The Hidden Face would win it. Damned well done, John and Shawn. 🙂

Shifting to the characters, Dayraven and Sunniva are both interesting and absolutely central to the plot. Dayraven has spent 15 years as a royal hostage and the tale kicks off upon his return to his home-kingdom; he returns to an seemingly ineffectual Emperor and has to contend with stepping into a situation in which one of his old rivals has amassed power and influence, and when Dayraven is asked to meet one of his old allies an teachers, the plot kicks off. If I have any qualms about the two main characters, one is when Sunniva was introduced- while she holds her own in the narrative and her past, like Dayraven’s, is important, the opening chapters’ focus on Dayraven as the main character and robs her of the shared-spotlight. This book is a book in which two characters solve a mystery, and so the book is about the mystery and not the characters – and even though the characters drive the plot forward as they should, it seems as if Dayraven is behind the wheel and Sunniva is the passenger. Their roles to achieve a balance as the narrative progresses, but due to the Dayraven-focus early on, it feels as if Sunniva is always trying to catch up. My second qualm is actually trite, but being a writer myself, it stood out: Dayraven’s name. Taking into consideration that none of the other characters have similar names (in terms of the name’s construction and meaning: Day-Raven), his name stood out as not really fitting him. The hunchback mentioned in the synopsis has a fitting name, but Dayraven’s name is never explained nor ‘used’, in terms of what it may mean. (if it is, I completely missed it and apologize for being a dumbass)

In terms of character development, the stand-out character for me was The Twister. He, too, is central to the plot, and commend the author on taking us into the mind of a damaged and manipulated individual while shifting the character’s role from that of victim to plot-driver.

One of the other characters, Dayraven’s ‘rival’ mentioned in the synopsis, was the only character I couldn’t remain interested in, but I do believe that this character’s role was well handled, especially when new antagonists are revealed, and even though these new antagonists steal the spotlight from the ‘rival’.

In terms of ‘place’, the history of the novel’s world takes a more prominent role than the world itself – but this isn’t a bad thing. The concept of the Face is really cool, and the manner in which the Face impacts the world and its peoples was excellently handled and explained (in a manner absolutely devoid of info-dumps and boring, lengthy ‘history lessons’).

The plot races along as Dayraven and Sunniva pursue the mysteries rearing into the path, and the author manages an excellent balance between keeping the plot ticking along, giving us glimpses of the world and it’s history, and allowing the characters their space to progress, change and grow.

Where the novel really shines is in how the mystery is pursued and solved – I never expected to read a Fantasy novel which presented a mystery that had to be solved by the decoding of clues, visits to hidden crypts and tombs, and the like. The effect is that we’re given a tight Fantasy Mystery novel in which the mystery and the solving thereof is as interesting as the plot and characters. If you’ve been looking for a Da Vinci-code type tale in a Fantasy setting, I’m pretty sure you’ll enjoy this novel and the mystery at it’s heart.

All in all, The Hidden Face is a strong and entertaining debut and shows the author is adept at giving us the kind of Fantasy we’ve come to enjoy while spicing it with enough to make it stand out in a crowded field. I’m definitely looking forward to the next book, and to another excellent cover from Di Giovanni and King.

8 / 10

To order your copies, click the following links:

Amazon US, Kobo, Barnes and Noble, iBooks.

And do check out the author’s website for more info.

Until next time,


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Posted by on November 27, 2017 in Reviews


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New Release Alert: The Rise of the Fallen by Peter Fugazzotto

Hey folks, hope you’re all well. 🙂

Check this out – amazing cover art from John Anthony Di Giovanni, and cover design by the kickass Shawn King.


Enter a world of fungal magic, a vengeful duke bent on a bloody civil war … and a secret that will turn a tropical empire on its head.

Cast out as a royal bodyguard for failing to stop an assassination, Maja, a master of the sword, lives out her exile among pirates on the outer islands.

But when a dying mentor charges her with bringing a young monk to the capital, Maja’s world is shaken.

Returning the boy comes with a price. Pursued by a mad torturer, Maja will risk her life and those of the Fallen, her embittered former companions, to protect the boy. Pitting her thirst for revenge against the desires of the Fallen, she must decide where her true loyalties lie.

Get your Kindle-copy now from Amazon (paperback on its way), and do check out Peter’s website for more info about him and his work.

Until next time,


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Posted by on November 16, 2017 in New Arrivals, New on the Shelves


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Those Above – The Empty Throne Book One by Daniel Polansky

Hey everyone, hope you’re well. 🙂

Daniel first came to my attention with the utterly excellent The Straight Razor Cure, and even though I have yet finish that trilogy (and the accompanying tale, A Drink Before We Die)-which I blame entirely on being a writer myself- Daniel’s work stands out, and I knew that Those Above would be something special.

The novel (which is the first in a duology, and Those Below has been available for a while) takes place in a world in which humanity has been enslaved by powerful, seemingly perfect race of beings, called Those Above by their unwilling subjects. It is a world of extreme riches and extreme poverty, and those who hover in the middle are constantly fighting to keep their heads above water  – kind of sounds familiar, doesn’t it? 😉

These Eternals are at the very top of the food chain, in almost every sense of the word – nothing of importance happens without their input or say-so, and yet this is one of the reasons that their rule is being threatened. They are fallible and can be killed, though it doesn’t happen often; in fact, it’s happened only once, and that event led to a vicious crackdown which has reverberated down through the years, with repercussions affecting every level of society.

But folks aren’t happy with Eternal rule, and even some of the Eternals are showing a ruling-fatigue – it’s a situation ripe for revolution, and that’s what this first book focuses on through the POV’s (points of view) of three main characters.

One is a street rat, one of those living in constant poverty and assailed by crime and violence – assailed, and yet welcoming it all, because it’s where he finds his purpose and his strength.

One is the very person who managed to kill one of the Eternals – he’s struggling to find his own place and the way forward in a world which seemingly hasn’t changed, despite what he achieved; even as he’s been called on again to lead a new army.

And one is a female character, the wife of a deceased hero, who has involved herself in the deadliest of games against the Eternals and her fellow nobles. She, by the way, is one of the most epic female characters I’ve ever met – strong, independent, ruthless, intelligent, and even kind. She utterly stole the show, and I’m sure she’ll stand out for you when you meet her.

Further to the plot and events, Daniel manages to keep the focus on the above-mentioned characters (and many others) while taking the reader on a journey through this world and everything that makes it live – the various strata of society and how the rule of the Eternals affects them; the Eternals themselves and their games, beliefs, and cut-throat culture; the relationships between the characters; the history of the world and it’s peoples… Reading this book, I experienced a balance between everything that makes a book work: sometimes the world building overwhelms the characters, and sometimes the plot seems forced while the characters are shallow, but not in Those Above. Daniel is a masterful juggler – indeed, the juggling seems effortless. And I am most certainly jealous.

In short, if you’re looking for Epic Fantasy which doesn’t overwhelm, characters which shine, interesting and memorable world building and an intro to a world and plot which you haven’t encountered before, then Those Above should meet with your enthusiastic approval.

A definite 10 / 10, and I’m really looking forward to eventually reading Those Below. 🙂

To get more info about Daniel and his work, visit his website, and to order Those Above, check out the links below:

Amazon US,

Amazon UK,,


Exclusive Books (South Africa)

Until next time,


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Posted by on November 13, 2017 in Reviews


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Release-Day Review: Quiet Places – A Novella of Cosmic Folk Horror by Jasper Bark (Crystal Lake Publishing)

A new tale from Jasper Bark is always something I look forward to reading. The man has a style which is easy to read and flows like a delightful river, which seems almost at odds with the kinds of places Jasper takes the reader to with his stories…

For example, the title-story of Stuck on You and Other Prime Cuts is one of those stories that makes you cringe and wince and clear the sick from your throat, but it also hooks nacreous claws into your mind and stays with you. And all of Jasper’s tales work on myriad levels, too – memories of scenes will pop into your mind months after reading a tale, and yet those memories will understand the scene better, or perhaps even differently. It’s one of the ways a great storyteller stands apart.

And Jasper has done it again with Quiet Places.

The cover (by the supremely talented Ben Baldwin), coupled with the title, says so many things, and is a perfect snapshot-image of the tale – that scene also takes place in the novella, and when you read it I’m pretty sure that you might flip back to the cover; if you can stop reading long enough to do so, I have to add.

Because by the time you get that specific scene, you’ll already be deep into the tale – you’ll have met sad, determined, slightly off-kilter Sally, her husband David, some of the inhabitants of the small town they live in, and Hettie and the Beast. Jasper’s spell will have been tightly woven, and you’ll be aching to know how Sally got into the situation she’s in at the beginning of the novel.

What Jasper has done with this tale is create something that has many aspects but which also works supremely well as a whole – you’ve got Sally’s psychological self, coupled with her determination; you’ve got David’s seeming lack of concern and spine; you’ve got a small town, with the accompanying mentality, and it’s people; you’ve got a major secret which everyone is keeping; you’ve got strange happenings in the forest and hedgerows; you’ve got cosmic horror. It all works. It all meshes. Masterfully.

But the heart of the tale -which boils down to what we experience, decide, act upon and then rue- is where this tale really shines. Monsters aren’t actually monsters because of what they do or what they look like – they’re monsters because they reveal themselves to be almost akin to those aspects of ourselves we choose to disregard or ignore or hide. And Jasper understands that sometimes the monster isn’t the monster, and that the victim can also be the knowing instigator.

Quiet Places is tight, lyrical, spans centuries is novel ways, and shows us parts of ourselves which might, given the perfect nudge at the right time, change from that which gives us strength to that which makes us want to run in fear and terror. And it’s also a tale which shows it’s characters (and the reader) that what you think you know is almost always wrong, or at least misunderstood.

It’s an excellent tale, on many levels, not the least of which is that it shows how versatile and empathic a writer Jasper is. Highly recommended!


Click here to order your copy from Amazon, add it here on Goodreads, and do check out Jasper’s website for more info and freebies (when you opt-in for his newsletter). There’ll be a kickass launch-day event on Facebook later this evening, so join us! 🙂

Until next time,


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Posted by on September 29, 2017 in Crystal Lake Publishing, Reviews


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M.D. Thalmann

M.D. Thalmann, a novelist and freelance journalist with an affinity for satire and science fiction, lives in Phoenix, Arizona with his wife, children, and ornery cats, reads too much and sleeps too little.

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Dark Culture and Lifestyle Magazine

Indie Hero

Brian Marggraf, Author of Dream Brother: A Novel, Independent publishing advocate, New York City dweller

Paws in the Porridge

'She is like a muse...who kicks people in the face.'

Matthew Sylvester

father, author, martial artist



Shannon A Thompson

You need the world, and the world needs good people.

Victoria Davis/ badass blogger

All at once small pieces of my life, work , hobbies, and interest hit you all at once.

Poetic doodlings in C Minor

My journey, inexpertly wrapped in myth and mystery

K.M. Randall

author | editor