Today’s review is going to be a little different, because the book in question is a little different too. I received this book from the author for an honest review so here goes…
Aigi’s journey into the mythical world of the Sami people starts with a race for the first ray of sunlight of the New Year, and continues with a plunge into the wondrous Saivo realm to search for a childhood friend. On the journey the knowledge of beings such as the gobmi, skammaidas and other fantastic creatures will surely be needed.
Fathoms of the Fenlake is a groundbreaking fantasy story. A solid nature connection, ingenuity and courage along with mystical powers have always been present in the Sami culture. The colorful pantheon has survived the attempts to abolish it, and the Aigi-saga draws from that legendary folklore. The bewitching novel will charm its readers.
Ante Aikio is a reindeer herder and modern entrepreneur living between two worlds himself, splitting his time between his company and his reindeer herd. Both are far beyond the polar circle – in the land of Sami mythology and tales. This is the one from the fathoms of ancient lakes…
*There are a few spoilers ahead*
This book is unique in that it is written by a Sami reindeer herder from Finnish Lapland and is all about Sami mythology, a mythology rarely seen (if ever) in mainstream fantasy. This book was originally written in Finnish and since my Finnish comprehension isn’t quite up to the challenge of reading a full novel, I decided to read the translation instead. I’m generally quite hard to please when it comes to translations and this book was sadly, no exception.
Firstly, I have to applaud this author for writing down what has, for the most part, been an oral tradition of story-telling. The Sami have a unique outlook on the world, their traditions entwined with nature-worship, and are a rather isolated group of people living at the edge of the world so this book has the potential to reach readers around the world, letting readers know that the Sami exist and that their story-telling is rich and profound.
Despite being exposed to Sami music while living in Finland and getting to know about some of their traditions during my studies, I didn’t know much about their mythology before reading this book. While I did enjoy getting to know more about Sami mythology and tradition, this book fell short of its promise.
This book is presented as an epic fantasy novel. It is not. Instead of reading like one cohesive story, the book is structured more like a collection of mythological stories as one might find in a non-fiction tome on the subject. The writing is similar in style to narrative non-fiction, heavy on telling and light on dialogue. This style does not make for an immersive experience. The main character is interesting and the story teases the promise of a Chosen One who has only to develop his magical powers. Sadly, this remains a tease and the character doesn’t do too much growing towards that destiny. Perhaps this was intentional, leaving room for a sequel, but this didn’t work for me. It seemed very anti-climatic when the main character, who could be a powerful sorcerer, doesn’t really amount to much at all despite having endured various travails in the Hero’s Journey tradition. This for me was the biggest disappointment and, combined with the dry prose, didn’t really allow me to enjoy the story that much.
Story aside, which will definitely be interesting to those who enjoy reading mythology anthologies, the writing itself made reading this book difficult. Perhaps simply a case of poor translation, this book suffers from bad grammar, tedious repetitions, incorrect vocabulary, and bland description. I really wish I could read this in the original Finnish to get a better feel for the story-telling.
As an epic fantasy novel, this story falls flat and would not easily rival the works of Rothfuss, Eddings, Lawrence, Erikson, Marillier, or, of course, Tolkien. While the story is rife with nasty beasties and liberally sprinkled with magic, the writing just isn’t up to scratch and the story suffers for it. As an experience in diversity and as a study of Sami mythology, this book excels, enabling global readers a more accessible means of discovering a relatively unknown culture. Perhaps I went into this book with unrealistic expectations. Perhaps had I approached this book as I would the a ‘Collected Tales of Greek Mythology’ I might’ve enjoyed this book far more. Regardless, I strongly recommend this book to anyone who is interested in exploring Sami tradition and mythology.